Poetry on the Boardwalk | Anthony Lawrence

Nature is often one of a poet’s greatest influences. There is nothing more simultaneously ordinary and extraordinary than a blade of grass, a puddle, or a falling leaf. So, to experience poetry about nature in the place that inspires it was an opportunity that I, as a poet myself, found deeply enticing.

Upon arriving at the Boardwalk, Lawrence guides us on a journey deep into the mangroves that ended at an entrance to the sea. The sounds of the ocean and surrounding birds providing an organic soundscape to the performance. Sacred Kingfishers and Spoonbills nestling nearby – guardians of the sharing circle. The sea breeze a much-needed saviour from the spring’s heat.

Lawrence begins sharing his poetry with us and it is just as delightful as the breeze. The imagery is rich and hauntingly specific. The acute nature of his memory is admirable, and it allows him to expertly draw out a singular moment or a small string of them transmuting it/them into something beautiful and emotionally significant. I will say that his work does suit the page better than it does the spoken word being that its focus lies with its visual rather than sonic qualities but that does not make it any less beautiful.

Lawrence himself is a day at the seaside personified – still and spritely all at once. And while our time with him was a brief escape into nature it was nourishing in a way that will last much longer. All-in-all Poetry on the Boardwalk was a lovely chance to disappear into nature and to hear some lovely poetry from one of Australia’s foremost poets.

Tristan Niemi

Tristan (they/she) is an internationally accredited Queer Disabled multidisciplinary artist and activist with backgrounds in writing, theatre, dance, and music living and working on the unceded lands of the Jaggera and Turrabul people. Born and raised on the lands of the Yuwi people they moved to Meanjin in 2017 to complete a Bachelor of Fine Arts (Drama) at the Queensland University of Technology. During that time and since graduating they have produced poetry, prose, and performance works for numerous local and international publications, festivals, and production companies – including their self-published zine High Priestess Monthly.

They recently graduated from a Bachelor of Arts (Honours) with First Class in the field of Drama at the University of Queensland. Their research paper 'Steering Clear of the Wallowing Place: A Dramaturgy of Queer Tragedy' sought to develop a series of best-practice guidelines for playwrights and dramaturgs who seek to tell stories of Queer suffering without re-traumatising the audience they wish to represent. Tristan was able to present some of this research at the Australasian Drama Studies Association's annual conference towards the end of 2021 and aims to see it distributed as widely as possible so that real changes to way works about Queerness are framed can be made.

Personally, they hold a deep fascination of work that leans Queer and delves into themes of witchcraft and spirituality. Theatre is ritual and so seeing ritual made into theatre truly tickles Tristan's fancy.

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