WOman | WOmen
Perhaps the most apt description I could give to the work is that it is theatre by way of riot grrrl - punchy, witty, and cruel, but with a true sense of camaraderie and sisterhood behind it.
Not for ... Exposure | Mad Dance House
I’m just beginning to understand the immense dance talent that’s on offer in Meanjin and I think there are many lovers of live performance like me who are finally starting to wake up to the calibre of the street performers based in our town.
Queensland State Final, Australian Poetry Slam | QLD Poetry
The night’s winner [was] Anna McGahan. Her performance was truly the highlight of the competition. McGahan’s writing is lyrically complex, sonically delicious, and speaks of parenting, reparenting, shame, unconditional selfhood, and unconditional love with such a wonderous astuteness. Her victory is more than earned and I wish her the best for the national heats.
Betwixt | Pink Matter Culture
Every aspect of this work is deeply purposeful. The sequence of the stories speaks to the relationship between the elements. We see the water dance with the air, who in turn fuels the fire, who in turn cleanses the earth, before spirit comes and weaves them all together. Each story is so raw and specific to the performer it belongs to but is told in universal ways.
Show Ponies | Brisbane Writers Festival
essa may ranapiri was the final one to take the stage, delivering an intoxicating and hypnotic poem threaded with the personification of an echidna as a woman who has no choice but to be violent for their voice to be heard. Accompanied by a beautiful score from their homeland, it was a poem that will stay with me for some time. Utterly striking.
BRED | Briefs Factory
As impressive as the physical elements were, some of the more powerful moments were the dialogue parts. Emily delivers a powerful spoken word poem that had everyone in the room listening and Luke Hubbard stole the show for me in a closing performance that delved into the ongoing racism in the Australian police force and Indigenous deaths in custody, something that resonated with me deeply.
Poetry on the Boardwalk | Anthony Lawrence
Nature is often one of a poet’s greatest influences. There is nothing more simultaneously ordinary and extraordinary than a blade of grass, a puddle, or a falling leaf. So, to experience poetry about nature in the place that inspires it was an opportunity that I, as a poet myself, found deeply enticing.
Momentum | WOW (Women of the World) Australia
The series explored what the notion of ‘momentum’ means for the feminist movement and how it differs dependent on various intersectional feminisms. The three events – Women Who Dare, First Nations First, and The Making of Men – each opened up important conversations and placed a spotlight on feminist and other social issues.
Je Suis Toi | The Sunshine Troupe
The performance began with the three performers being wrapped, tangled, and constricted by long pieces of elastic. As they danced around, they slowly began to free themselves from the constraints.
Brown Church | Naavikaran
“Brown Church is a work in progress”, declares Naavikaran, and it’s clear that they have much to say. Thank those Gods within Naavi that they have created a space to share this. The very clearly rehearsed and intentional poetry recited is of considerable expertise, sheening the POC queer space into the light.
Betwixt | Pink Matter
Betwixt invited the audience into the ‘In Between’: a space where words connected to movements and movements connected to music to tell unfinished stories to unsuspecting listeners. Through an enthralling combination of spoken-word poetry and dance, Pink Matter produced a fresh storytelling experience that pulled at the heart and compelled the mind.
Glass Child | The Farm
This is hands down the best piece of storytelling I’ve seen this year. This is a genuine challenge to any other productions to top it for sheer vibrating power. From the first scene, where Maitreyah’s voice cracks just ever so slightly, I know I am witness to something extraordinary. What follows is a whirlwind of emotions, for each of them, and most definitely for me.
Rear Vision | Vulcana
The show tread gracefully the emotional arc from the trepidation of this year’s beginning, to the desolation and disquietude of its middle, to the elation at its approaching ending, and touched on themes of the pain of seeking human connection in a physically distanced world, the fragility of ‘normality’, and the power of collective action.
Tales from the Colony | Voices of Colour & Skin Deep Collective
It’s hard to believe that it took only ten days for ‘Tales from the Colony’ to be created and then performed on stage. For a work that was complexed, multifaceted and spoke on deep themes and issues, it was suspiring to hear how quick it took for it all to come together, but that’s also a testament to the rawness that was on full display. And when the ending came, the audience on their feet standing, clapping and cheering on in praise: the emotional toll on six incredible performers was evident, and with that the realisation of what we had experienced was more than a show, but a journey of exposing truths, finding identity and baring trauma.
Tales from the Colony | Voices of Colour & Skindeep Collective
Escalating emotions aside, one of the many highlights of the night was sharing the same space with such a rich mix of people of colour from so many different ethnic backgrounds. This truly felt like being back home again. Besides the delivery of the original material, what impressed was the message of hope and reconciliation this conveyed. The youth of the performers belied the intensity and ferocity with which they boldly embraced their storytelling by speaking out about taboo subjects.
Into the Unknown: Three Brisbane projects born in Lockdown
There was a period of time where the vibrant city of Brisbane lay still, hiding from the oncoming pandemic like Alan Grant trembling in front of a T-Rex, exclaiming ‘It can’t see us if we don’t move’. Many folks took to new hobbies in valiant attempts to combat the dread and disconnect that arose from a city in Lockdown. Here are three Brisbane creatives who dove headfirst into new projects during lockdown.
Three Brisbane Zines for a Literary Lover
Why seek greener pastures when there is a mossy cornucopia of content right here in your own backyard? Here are three local zine-makers who are bringing you the latest art, literature, and poetry from Brisbane.
Cirquetry | Vulcana
Cirquetry’s 30min work in development showing at the 2019 Queensland Poetry Festival,is a gorgeous blend of circus and spoken word. It showcases the possibilitiesof how mixing them together can bring new depth and meaning to each art form,which begs to be explored further. I look forward to seeing how thiscollaboration develops.
Nautical but Nice | Ruckus Slam
Yo ho ho and a barrel of fun. Ruckus Slam, purveyors of poetry, cabaret and alt-arts for the indie kids of Brisbane, have delivered another sterling production in their most ambitious venue to date.
Dinopocalypse | Ruckus Slam
What if dinosaurs did not die out in a mass extinction 65 million years ago and instead went underground and evolved over tens of millions of years into a vaguely humanoid species not too dissimilar from ourselves? And what if a catastrophic event drove them out of their homes and forced them to seek safety in our own and our government sought to contain them, both for their safety and for our own? And what would you do if you got a chance to visit the facility that contains them, at the launch of their dinosaur integration program?