Cirque Bon Bon - Le Retour | JACs Entertainment
There were so many excellent moments in Le Retour, but one special highlight for me was contortionist and foot archery artist, Shannen Michaela, who performed her spectacular and technical archery act. The crowd was blown away by the acts, how she was able to set the scene, with accompanying epic music, as well as her charisma and perfect execution.
Limbo - The Return | Strut & Fret
Without spoiling too much, it was an enchanting blend of artistry, music, and acrobatics that was sensual, whimsical, intense, and dangerous. If you fancy a ride into a sinister and sexy circus netherworld that will leave your heart pounding, then ‘Limbo-The Return’ is the perfect show for you.
Briefs Factory on The Art Boat | Briefs Factory & Cluster Arts
Super entertaining, very festival-y in its novelty, and by far the best boat trip I’ve had down the Maiwar (Brisbane River).
Dido & Aeneas | Opera Queensland & Circa
I found that the inclusion of movement added so much to the experience of this work. The acrobats were able to bring the more abstract, mystical, violent, grotesque, glimmering elements of Dido and Aeneas’ world to life. Each and every member of the company (both acrobat and singer) brings a level of virtuosity to their work that reminds one why these forms have lasted the test of time.
What Will Have Been | Circa
The three acrobats are the stars of this exceptional show that features incredible hand balance by Daniel O’Brien, a fluid and moving straps solo (and acrobatic ‘dance’) by Kimberley Rossi, and quite amazing strength work by Zac Stephens. In just over 60 minutes, the performers demonstrated their mastery of circus arts to create moments of beauty, strength, power, fear, tenderness, pain, humour, wistfulness, joy, and connection.
Twisted Christmas | GALORE! Presents
We’re guided through this seasonal smorgasbord by our elven MC, Maddy – a staunch unionist direct from the North Pole who’s (1) truly and deeply jaded by capitalism’s co-option of the holiday and (2) concerningly quick to guarantee we’re all on the naughty list this year.
Cirque Jingle | JACs Entertainment
There are a lot of great choices for a festive-themed show this season, including shows that have returned for many years. It’s great to see that JACs Entertainment has produced a show that complements those choices, offering an event that is suitable for the whole family.
GODZ | Headfirst Acrobats
When we talk about beautiful men, we will often say ‘Awh, he’s like a Greek God’. Headfirst Acrobats take this aphorism and run, giving us GODZ: a one-hour high comedy, high camp, circus extravaganza, all the while keeping it extremely sexy.
IMPACT | Vulcana
The showcasing of such a diversity of voices all affected by the climate crisis is what made IMPACT special. The entire event felt like a community getting together to share stories and find comfort in shared experience.
“Gives us space to laugh while we consider the enormity of this crisis.” Celia White on latest Vulcana production ‘IMPACT’
Our favourite medium is circus so it was important to tackle this subject and how we tell these kind of stories through this modality. It will be really interesting to see how the audience responds a series of images, a series of tipping points.
Party Ghost | Double Take
Party Ghost’s spooky, horror comedy was an absolute delight and had me belly laughing for a full 55 minutes.
Eternity | Circa
I can see why Circa’s Eternity has been the elusive golden ticket of the festival: a sold-out world premiere production by internationally renowned local superstars, promising a site-specific work that brings acrobatic excellence and contemporary spiritual music to Brisbane’s St John's Cathedral.
Duck Pond | Circa
If you enjoy seeing circus performances, you’ll enjoy this show. The cast do a wonderful job and display a wide range of fabulous skills. It won’t be a production that leaves a life-changing impression on you, but you will enjoy it even if you leave somewhat confused by the overall narrative. If, like me, you go in as an audience member with a critical eye for circus and dance productions and with a knowledge of the classical greats however, you may leave somewhat disappointed and confused.
Common Dissonance | Na Djinang Circus
Under the purposeful glare of the spotlight, the sight of two bodies cocooned in a tight embrace appeared before us. I saw their fingers endeavouring to make imprints on the skin of the other, pressing and digging into soft tissue. As they pushed themselves into each other while trying to simultaneously pry and peel themselves off the other, I gathered that the uneasy, uncomfortable yoking of their physical beings underscored the theme of common dissonance deliberately right from the get-go.
Break | Cecilia Martin & The Farm
Highlights were the directness and vulnerability with which the story was told, and the interweaving of acrobatic skills. We hear insights into the close relationship between skilled performers—including the sheer joy of ‘getting it right,’ as well as the pain and pressure of training, travel, and surgeries, and we see great use of the spinning plates, walking on broken china, incredible athleticism (and skipping), and quite amazing trapeze and aerial acrobatics.
Tipsy History | Glitter Martini & Anywhere Festival
One thing I love about the Glitter Martini shows I’ve seen is they’re always audience participation heavy, which is great to keep the crowd entertained at changeovers between the acts. A particular crowd favourite this time was a modern spin on an Ancient Greek drinking game, which everyone got right into, and it really brought out their competitiveness. These interactive segments made the show intimate and that little more special and memorable for everyone.
From Little Things | Casus Creations and Flipside Circus
I went to this show expecting a fun show that has that fuzzy feeling of community, but I got a lot more than that. It’s a beautiful creation, with artistry and skill that sometimes made me forget how young many of these performers were. Their opening season has been a sell-out, and I hope they bring this show back, so more people can see this delightful piece of art and circus culture.
"It shows how much views are changing on sexuality." The cast of Blush on making a 'sexy adult circus' more subversive & inclusive
Some of the reviews we received had a bit of a stab at the male nudity, but not the female nudity, because Australian audiences especially are very used to women being sexualized in that way… And the success of the show sort of shows how much people are changing, like how much views are changing on sexuality.
Slava's Snowshow
here were marvels galore, and an endless stream of giddy slapstick, which is the simplest and most beautiful form of comedy that exists. It punches neither up nor down. To understand it requires no language not even the speech of toddlers, for they too grasp the innocent amusement of slapstick effortlessly. To try and fail is the human condition, we know it implicitly.
Blush | Highwire Entertainment
This isn't one of the typical cabarets that tries to sell sexy as performers brushing past each other, femme figures as objects and same-sex desire as queer baiting. Blush makes the titillation of such shows seem like childhood flights of fancy. There is something truly for everyone here, with each performance celebrating love, lust, passion and desire in various forms.