BlakWarehouse Party | Blak Social & Brisbane Serenades, Brisbane Festival
review, music Kaylee Vera review, music Kaylee Vera

BlakWarehouse Party | Blak Social & Brisbane Serenades, Brisbane Festival

I was blown away by the music I was lucky enough to experience. Dameeeela, DJ Kritty, Sovblkpssy, and DJ PGZ provided the music, their tracklists were all unique, but all highlighted the best First Nations artists around the country with unique styles and remixes. Brisbane's First Nations dance music scene is deadly, and I am inspired to seek out more.

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Slow Boat | Anna Yen
review, theatre, physical theatre Nadia Jade review, theatre, physical theatre Nadia Jade

Slow Boat | Anna Yen

There is something about relating to characters on the stage that humanises stories so very much. We can read an article about the relentless inhumanity of the Australian government and the colonial importation of cheap Asian labour, but a depiction of a bloody and brutal desert scene and the rise and fall of pickaxes worms its way into your head in a much more effective way.

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Tiddas | La Boite
review, theatre Gloriana Grace review, theatre Gloriana Grace

Tiddas | La Boite

There is a context to the play which must be remarked upon, which is the industry-wide dire lack of strong Aboriginal characters on our stage in general, and especially female Aboriginal characters. Despite the under-development of the characters, the actors performed the roles believably and naturally. It was truly delightful to see First Nations female characters on stage played by such fantastic calibre actors, and adapted from the book written by an Aboriginal author.

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Aftermath | ADC
review, dance Harmonie Downes review, dance Harmonie Downes

Aftermath | ADC

The score is complex, pushing us to travel realms and the most human of sounds, the rhythm of our heart beating and directing the audience towards the revelation of hope that is only short lived when nothing is what it should be in this world.

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ZOOOM | Patch Theatre
review, theatre Virag Dombay review, theatre Virag Dombay

ZOOOM | Patch Theatre

The dialogue is minimal and almost non-existent, yet through the innovative exploration of technology, the children are hooked from start to finish. The marrying of technology, the use of the light and the immaculate soundscape, gave off the illusion that we, the audience, are witnessing magical unfold directly in front of our eyes.

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Fourteen | shake & stir theatre co.
theatre, review Tristan Niemi theatre, review Tristan Niemi

Fourteen | shake & stir theatre co.

There is so much material included that is ripe for nuanced and fresh commentary about the Queer experience, especially in rural communities, but it is so often sprinkled over the top of a single scene and never interrogated again. This is not to say every narrative thread must be tied off neatly but when so few of them are, it begins to make the work feel incohesive.

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Holding Achilles | Dead Puppet Society & Legs on the Wall
review, theatre, physical theatre Catherine Lawrence review, theatre, physical theatre Catherine Lawrence

Holding Achilles | Dead Puppet Society & Legs on the Wall

Morton’s Holding Achilles’ queer lens, and re-gendering/de-gendering of key roles, offers fascinating new insights into an old story. My two strongest ‘ah-ha’ moments connected with the themes of parent/child legacies, and about the true nature of heroism - are heroes those who have the short lives that are celebrated in epic tales, or those who seek the ordinary long lives that are celebrated on the warrior’s shield?

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Brown Church | The Naavikaran Collective
review, theatre Ranjini Ganapathy review, theatre Ranjini Ganapathy

Brown Church | The Naavikaran Collective

It is not long before I find myself completely taken in by the artists who have now formed a circle of celebration, clapping their hands to time. Naavikaran’s white flowy skirt accented with silvery foil-like material has a life force of its own. The other performers look equally royal in their costumes, twirling, swirling, locking eyes with one another, immersing themselves in the beauty and safety of friendships they have forged amongst themselves. I smile so much at the unfolding of this dance sequence simply because it is unadulterated, unpretentious joy.

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Sweatshop | Briefs Factory
review, circus, cabaret Darcie Rae review, circus, cabaret Darcie Rae

Sweatshop | Briefs Factory

A lot of the joy of Sweatshop is how engaged the performers are with the audience. Requests for cheers are met with enthusiasm from a crowd that is on their side from the moment they step on stage. This is the magic of Briefs: a group of performers doing unconventional things, presenting brightly and boldly to a room of people who are 100% there for every moment of it.

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Five shows to sink your teeth into in the first week of the 2022 Brisbane Festival
article, clickbait Ads J article, clickbait Ads J

Five shows to sink your teeth into in the first week of the 2022 Brisbane Festival

Being spoit for choice, it can be hard to figure out what to see in such a dense program. Luckily the team from NEHIB is on hand to help you choose. Each month, we release a newsletter to give you our recommendations of what you simply MUST see, and we’re giving you a sneak peak of some of recommendations each week of the Brisbane Festival this year, so you can get a taste of what to expect if you subscribe.

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The Pillowman | Good Time Theatrics
review, theatre Virag Dombay review, theatre Virag Dombay

The Pillowman | Good Time Theatrics

Directors Hannah Boyd (who also played Arial) and Sophie Wickes (who played Katurian) chose to adapt this work with an all-female cast; having the two police officers dressed in bright pink, almost cyber-punk like jumpsuits and gender-swapping the storyteller Katurian and their brother Michal. As a director myself, I thought this was an intriguing concept that had a lot of potential. Unfortunately, the inconsistency of direction resulted in this casting choice falling flat and undercutting the power of this award-winning text.

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Five Shows for Teens and young adults to check out at Brisfest this year!
clickbait, article Virag Dombay clickbait, article Virag Dombay

Five Shows for Teens and young adults to check out at Brisfest this year!

For Brisvegas residents, Brisbane Festival is the most wonderful time of the year. It is a time when art is celebrated and rejuvenated. A time when theatregoers roam the streets; a glass of red wine in hand, hopping from one show to the next. If you have a teen that is itching to get into theatre or maybe you have a teen that’s never been exposed to theatre before, here are your must sees of this years season.

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Five Emerging Playwrights to Keep Your Eyes On…
clickbait, article Virag Dombay clickbait, article Virag Dombay

Five Emerging Playwrights to Keep Your Eyes On…

That’s why it has been so reassuring to see a plethora of new playwrights emerging in the Brisbane independent arts scene, who have such a gorgeous control over their texts. If you haven’t heard of these indie playwrights before, jot their names down and follow their socials, as I can guarantee that you will be blown away their artistry.

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Homily | theatrePUNK co.
review, theatre Nadia Jade review, theatre Nadia Jade

Homily | theatrePUNK co.

The painful journey of survival as young queer person in a distinctly hostile world is not one we can tire of hearing in all its variations, at least not until the damned trial of becoming ceases to be and our queer brethren can just live their lives as awkwardly and safely as everyone else.

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Rodgers + Hammerstein’s Cinderella | Crossroads Live
review, musical Georgia McKenzie review, musical Georgia McKenzie

Rodgers + Hammerstein’s Cinderella | Crossroads Live

Advertised as a “surprisingly contemporary take on the classic tale”*, this 2013 adaptation of Rogers + Hammerstein’s Cinderella fails to deliver any refreshing takes on the outdated traditional fairy tale. While there are certainly elements that are different from the well-known story—new characters, additional parties, expanded motivations for characters, and shoe things—the main problematic and patriarchal factors from the original plot remain intact.

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Raising funds for the Support Act ‘Roadie fund’ with loud music and good times
article, interview Nadia Jade article, interview Nadia Jade

Raising funds for the Support Act ‘Roadie fund’ with loud music and good times

The pandemic hit many industries very hard, and one that was almost impossibly decimated was the arts. But while the artists at the front of house made a lot of headlines, one of the industries that didn’t get so much attention was behind-the-scenes… the crew who get our stages and venues bumped in, lit, rigged, bumped out, and transported. On Sunday, August 7, starting from 5pm at The Zoo Brisbane, COUNT ME IN: Fundraiser will be taking the stage to raise a donation for CrewCare’s ‘Roadie Fund’.

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Blanc de Blanc Encore
burlesque, review Catherine Lawrence burlesque, review Catherine Lawrence

Blanc de Blanc Encore

Blanc de Blanc Encore delivers a high-paced 100+ minutes of variety-style entertainment, ranging from song, dance and European-style clowning, through to foot-juggling, Chinese pole and aerials. Be ready for a quick and entertaining ride.

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