Chameleon | Karen Lee Roberts
There are many moments I feel swept away by the honesty of living her experience throughout the entire show – particularly the scene where she acts out the consequences of going off meds including a full blown episode involving her partner. Alexandra pleads for help whilst portraying what it’s like to experience the fear of abandonment and confusion caused by changes to her brain chemistry. This was deeply raw and personal and an effective mechanism to flush out any remaining judgment the audience might have.
Creepy Cabaret | EC Venue and Damien Cassidy
Creepy Cabaret is just that - a tale of fake blood, puppets and blow up dolls, and a homage to sex (or lack of) complete with a twist on risking the status quo. It’s a great show and producer Damien Cassidy has pulled together a diverse international stellar cast in the one room.
Tit’s Up | Good Chat Comedy Club
There was something really welcoming about an all-woman line-up. There was no bros club vibes, no borderline sexist jokes to bore the women in the crowd, no locker room humour, plenty of smut but all of it was self-directed, this was art that punches up – and really there should be no other kind – nobody made anyone uncomfortable, except in a nerdy kind of way, and it was a real relief to be honest.
It was a solid way to spend a Friday night. Would go again. Would recommend.
Wynnum is getting a Fringe Festival. Right. Now.
Lots of artists found themselves at a loose end during lockdown. In spite of the extreme neglect from the powers that be, artists are restless beasts, and there are plenty of inspired projects coming to the foreground. And the fore-shore. Meet Tom, the founder and Artistic Director of Wynnum Fringe.
Yes, the bayside suburb of Wynnum is about to host a beautifully exciting festival, a Fringe Festival no less, with street shows and public concerts and roving performers and buildings turned into venues and a program of over 50 shows.
I Do - Wedding Stories from Queensland | Queensland Museum
The main focus of the exhibition was to educate the viewer about weddings that had occurred here in Queensland over a certain time period. It was obvious that the wedding dresses were chosen from different periods taking into account the chronological arrangement of the various gowns that were on display. I was impressed with their immaculate condition as I strolled through the exhibition. I could not help but admire the intricate workmanship that had gone into creating the eye-catching designs. It did also leave me pondering on the skill that is required to conserve the quality and fragility of these pieces.
We The Aliens | Ela Bartilomo and Cecilia Martin
They’ve moved us into the round, which for the most part works, although pieces down the far end of the room require you to crane your head. They are using segues that don’t entirely make sense on the surface. Which is good. I get tired of having everything spelled out for me, and when something is ambiguous and creative and exploring edgy themes I want the opportunity to let my imagination run wild. I want to see if I can figure it out. It’s what make art fun and interesting.
We The Aliens | Ela Bartilomo and Cecilia Martin
As I was watching We the Aliens, I kept on think about who are the aliens and how do we relate to them. Etymologically, alien means foreign, strange. It is the ‘Other’ to which we cannot relate. And yet, we do have a relation with the alien, albeit in negative terms. The alien is that which we negate from ourselves, that we make foreign to us, and that we perceived as strange and threatening. The body of acrobats and contortionists is a good representation of this concept and also an entry point to reflect on it.
By Request | Jenny Wynter
Jenny and Angie Wynter made a great team. I assumed they had set rhythms of songs they were going to perform and then Jenny improvised the lyrics. Her talent as a professional singer shone through, unbelievable that she could sing so beautifully and be constructing lyrics at the same time. I fully expected to see smoke coming out of her ears, that’s how fast her brain appeared to be working.
Pay the Dancers: Brisbane's Dance Community Takes on the AFL
“On average, I receive calls or email requests once a week asking for 'free' dancers in lieu of exposure. I understand they don't get it and it is my job to educate them,” notes Meg Cooper, CEO of Mad Dance House in Brisbane.
“For me if there is no budget, it's simple. It's a no. I don't want to be known as giving cheap gigs to the dancers. I am a proud advocate for dancers and I want them to be treated as professionals.”
From The Dew of Heaven | Isabella Catenaro
The rigidity of moral teachings can breed negative attachments in the form of repression or rebellion. Instead, Isabella challenges this rigidity with a creative spirit. They don’t negate it; they put it on the table and dissect it with kindness, generosity, and vulnerability. Isabella lays their authentic self on the Eucharistic altar and let people come close to their queerness to show the softness, gentleness, and humanity that can be in it.
Cosi | THAT Production Company & Mira Ball
The cast was sublime. There was not one actor that was better than the other. Maybe that sounds cliché but it’s the truth. They were a tight knit ensemble, which was exactly what a play like Cosi needs.
Into the Unknown: Three Brisbane projects born in Lockdown
There was a period of time where the vibrant city of Brisbane lay still, hiding from the oncoming pandemic like Alan Grant trembling in front of a T-Rex, exclaiming ‘It can’t see us if we don’t move’. Many folks took to new hobbies in valiant attempts to combat the dread and disconnect that arose from a city in Lockdown. Here are three Brisbane creatives who dove headfirst into new projects during lockdown.
Five Brissie bops to get you bouncing
I don’t know about you, but I love listening to music. Especially when it’s music produced, written, performed (and sometimes all three) by local Brissy artists. So, I thought I’d compile a list of the latest Brisbane bops I’ve been listening to. Vee goes looking for the best local sounds.
Arc | Australasian Dance Collective
Arc was the first show of ADC since November 2019, and it was a remarkable post-pandemic lockdown comeback. It took place in South Bank, in the grassy area set against river and the cityscape as background. It is not often that you can enjoy the inviting feelings evoked by the Mercurian feet of dancers moving on soft grass.
Snapshot | Polytoxic
Part installation, and part dramatic outdoor performance, Snapshot is most of an hour of lockdown reminiscing, dreaming, recovery, survival and bouncing back. Much of the projections were recorded when Polytoxic sent a call-out to artists to record a message and respond and tell us how they were doing.
1.5x12 | Phluxus2 Dance Collective
“I’ve found time to recalibrate my understanding of self in this shifting terrain. More than ever I feel the deep value of my choreographic self, my collaborators, my community and the significance of arts and culture of our country.” Nerida Matthaei on creating in the new normal.
Circus Delivery! | Vulcana Circus
After months inside, away from my people, to have a circus garden party was a such pleasure and a treat. We all wore hats. We ate 11 types of cake. We giggled and smiled and pointed and thoroughly enjoyed every minute of the cute, hot, funny, stoopid performance by Vulcanista’s Abbey Church and Liv Porter.
One Bottle Later | The Good Room
Following Covid-safe distancing and hand-held signs directing us not to speak, we entered into a magical space. The room was beautifully lit by Jason Glenwright with waiters dancing around and making sure everyone was looked after. I felt like I was transported in time to a 1920’s nightclub. The attention to detail was delightful.
Three Brisbane Zines for a Literary Lover
Why seek greener pastures when there is a mossy cornucopia of content right here in your own backyard? Here are three local zine-makers who are bringing you the latest art, literature, and poetry from Brisbane.
Common People Dance Eisteddfod 2 | Common People Dance Project
On Saturday night, I watched the second greatest battle of all time... The Common People Dance Eisteddfod 2. The teams of suburban gladiators had a dance off once again to prove which side of Brisbane is the best. The event was held at the South Bank Piazza; south of the bank, west of the city, east of the border and north of the rest of the world.