Same Penis Forever | Rebel Lyons
Same Penis Forever treads this fine line between a shout and a whisper, between displays of the intimate and of the public. It was the epitome of a Hen’s Night at its core, where the bride reigns supreme and those who’ve come to celebrate are privy to the drunken divulgence of secrets and hesitations.
Red | Dancenorth
The voyeuristic tone was set from the moment I entered the warehouse. A separate audience bank on the opposite side of the bubble along with the bubble itself were constantly there to remind me I was watching. That I was invading the privacy of the individuals contained within. What could have been read as an invasive observation of an endangered species’ mating dance very quickly became an allegory for the final members of a species scrambling to preserve their world as it collapses around them.
Ishmael | Dead Puppet Society
Dead Puppet Society has created something truly spectacular with Ishmael. It captured my inner child and had a wonderful sense of play in its sets and puppets, and paired it with some really grounded critiques of capitalism and the false security presented by constant competition.
Auntie's Fiafia Night | Casus Circus
Imagine two powerful women with vibrant flower covered moomoos, fanning themselves with woven fans, and big palm leaf plant beside them, laughing and gesturing as the performers take turns trying to earn a smile from them all night long. This shows just how respected elders and women are in Pasifika culture and that was an amazing take away for those who may not be of that background/culture.
Same Penis Forever | Rebel Lyons
Humanising the different agents of social conditioning demonstrated that people make traditions, and traditions aren’t these immovable structures that must be obeyed at all costs. Traditions make culture, so if the diamond engagement ring was something some marketing mogul came up with to sell more diamonds, then why the hell do we take this ‘tradition’ so seriously.
Demolition | Polytoxic
When arriving at my seat a wave of proud brown girl joy makes its way through my spirit as the demolition work site sets the scene for what is going to be one of the most memorable shows that I've witnessed. I was about to undergo a unravelling of identity and I was more than ready!
Demolition | Polytoxic
The importance of solidarity really stuck with me and I felt like I was being shown an inclusive version of sisterhood that I could really relate to. This was no highly sanitised mainstream girlboss sisterhood, but the kind of solidarity that can be difficult and gritty and requires you to show up for other people and do the work.
Dirty Laundry | Briefs Factory
Briefs Factory’s Dirty Laundry is sexy but it also has a lot of heart and soul. It’s a show that not only dazzles but is also about connection and finding joy and pleasure in moments of uncertainty. It’s a show that will make you wolf-whistle, stomp your feet and leave you thirsty for more.
Demolition | Polytoxic
Polytoxic’s show Demolition is not only a staggering showcasing of Circus and Theatre, it is a moving and uplifting Call-To-Arms. The effortless shift of scenes drew my senses in and catapulted me from issue to issue that many women in this world face on a daily basis.
Demolition | Polytoxic
This work left me feeling seen on so many levels - as a Queer non-binary person struggling to fit the status quo, as a Maori woman who wasn’t raised on her Marae or Ancestral lands, as a Mother realising the importance of embracing culture for your children’s future, as a woman being surrounded by the constant pressures of living up to the patriarchal structure and never feeling good enough. I felt uplifted, hopeful, powerful and full of rage.
First Nations Fashion: Walking in Two Worlds | Grace Lillian Lee
Ultimately, First Nations Fashion: Walking in Two Worlds succeeds in creating something that stirs emotions, restores power, speaks truth, celebrates culture while displaying First Nations fashion labels. It decolonises an industry that is ripe with racism, classism, and sexism, and replaces it with a sense of hope and harmony.
Weredingo | Karul Projects
“Are you coming as a human or as an animal tonight?” a well-dressed guy asked us as we descended into New Benner Theatre at Metro Arts on Saturday night. “Animal!” I said without giving myself the time to process the question.
The Freshblood Festival 2021 | Vena Cava Productions
The Freshblood Festival allows a platform for emerging artists to showcase and workshop their work in a professional capacity. Each performance I viewed was written by current QUT students and alumni. I must admit that I was blown away by the level of professionalism that was showcased in this festival, and I hope that I will be able to get to the festival again next year.
Theatresports Grand Championships | ImproMafia
I counted fourteen different scenes across the show, which I thought was an impressive number for an hour-long show, and served as a tantalising sampler of the wide, wild world of impro possibilities. Over those scenes, the performers each showcased their strong individual talents for improvisation, imagination, and characterisation – and their sheer joy at being on stage was palpable. There was a great sense of chemistry between all of the performers, which allowed them to skillfully, smoothly riff off each other through even the most surprising changes in a scene.
Echo | ADC
I found myself appreciating the way each [video] used the editing process to produce new kinds of performances not otherwise possible. I was taken to beaches and country sides, highways and bushland; with each passing car a single dancer became three, and elegant hands multiplied upon themselves becoming ghostly worm-like entanglements. One dancer could pause at the end of a sequence only to be replaced by the next in the same position, continuing the next phrase like an Olympic relay of choreography and movement.
Romeo & Juliet | Queensland Shakespeare Ensemble
If you haven’t seen ‘a Shakespeare,’ then the Queensland Shakespeare Ensemble’s (QSE) Romeo & Juliet is a highly-accessible doorway into the Bard’s work. Love at first sight ends badly for the star-crossed lovers, but results in the end of a long-standing feud between their waring families. Go along to experience the anguish of love and loss, with great fight scenes, tender romantic moments, youthful rebellion, live original music, and memorable comic interludes.
Titanic: The Movie, The Play | Act/React
A light-hearted riff on a pop-culture film particularly beloved by GenXers, this is a tonic for the tumultuous times we live in. In a time of near endless impositions and challenges to our mental health, it was just So Nice to watch something silly and welcoming and cheerful and performed with joy and gusto.
A Midnight Visit | Broad Encounters
What the creative team of A Midnight Visit have created is truly something wonderful that transported me into a world where my imagination could run wild. I felt childlike exploring the rooms and listening to the characters, as though I was romping around an exciting large playground for the first time.
Lucy & Me | Nicolas Angelosanto
Lucy & Me charmed me with the tale of man, Sphenn, and his bike, Lucy, trying to get home to Germany. We followed the two on wacky adventures as they tried to make money for a plane ticket. Sphenn was part trickster and part fool, an effeminate, romantic, simple-minded, European caricature. Nicolas brought enthusiasm, extremity and maintained his character well. I enjoyed his commitment to silliness, wiggling his whole body or licking the corners of a stamp feverishly until he got a laugh.
Caesar | La Boite
Caesar isn’t really an adaptation of Julius Caesar, it’s a show about actors putting on a play. In fact, it wasn’t really about putting on a play, but more so about the disputes and individual philosophies between the actors. It’s all very meta.