Titanic: The Movie, The Play | Act/React

A light-hearted riff on a pop-culture film particularly beloved by GenXers, this is a tonic for the tumultuous times we live in. In a time of near endless impositions and challenges to our mental health, it was just So Nice to watch something silly and welcoming and cheerful.

I was pleasantly surprised by the location. Outside on the forecourt of the beautiful Powerhouse, a giant nose of a boat poked itself out from a set of curtains. Rowboats, wooden dividers with portholes, and a range of other convenient props and articles set the scene. A crisp evening that leant more towards spring than winter had us cheerful and refreshed.

Loaded with film and media references, the cast were comfortable and energetic. A main premise was ‘volunteering’ audience members to play the role of Rose, as well as an entourage of extras, we saw a range of suddenly startled and mildly embarrassed performances of key moments from the film, including one awkward stage appearance from yours truly. And yes, when I failed to remember the name of the fancy necklace, they held onto that gaffe for the remainder of the evening. I knew I should have watched the film in advance – it has been some 20+ years after all… Oh well.

Billy Zane was ruthlessly mocked, as was, well pretty much all the characters. The band consisted of a triangle, ukulele, and recorder played with all the dynamic panache of a year two orchestra. There were loads of cultural references, even for someone like me who pretty much fails to keep up with pop-culture. I pulled a pile out, but am sure a million flew over my head, as likely did the MarioKart Segway for the younger audience members. But it didn’t really matter, cause the whole show was charming, irreverent and easy to enjoy.

I was delighted by how much the cast enjoyed themselves. It was reflected back in the faces of the audience, who also had a great time. A great time was had by all, would recommend.

Nadia Jade

Nadia Jade is a Brisbane-based creative and entrepreneur with a bent for a well-turned phrase and an unerring sense of the zeitgeist. She watches a disproportionate amount of live performance and can usually be found slouching around the various circus warehouses of Brisneyland.

Previous
Previous

"How often do women get to play these roles? And more, how often do audiences get to see this?" Liliana Macarone on playing THE romantic hero in Qld Shakespeare Ensemble's 'Romeo & Juliet'.

Next
Next

An Origin Story