Jean Paul Gaultier’s Fashion Freak Show | Jean Paul Gaultier & Brisbane Festival
Fun, flashy, and fantastical; Jean Paul Gaultier’s Fashion Freak Show is a love letter to fashion geeks, theatre freaks, and the super chic everywhere. It’s a spectacular night of entertainment that takes to a world where everything and everyone can be (and is) beautiful. You do not want to miss it.
Volcano | Luke Murphy's Attic Projects
I knew about ten minutes into the final episode that I would be giving this work a standing ovation and did so with a swiftness I’ve not afforded another work perhaps ever, and my fellow audience members did not hesitate to join me. Haunting, evocative, captivating: Volcano is utterly brilliant, utterly utterly brilliant.
The Making of Pinocchio | Rosana Cade & Ivor Macaskill
Ultimately, The Making of Pinocchio is not a grand story looking to shake up gender politics, it is an autobiographical show presented by two individuals telling their story.
Hello Brisbane Festival, what have we here?
Brisbane Festival is back again in all it’s glory. Editor Nadia Jade has a good look at the program and gives you a rundown of what’s hot, what’s intriguing, what’s unmissable and what’s worth spending the big bucks.
Kurios | Cirque du Soleil
Amidst all the spectacle, the highlights for me were a perfectly performed cat in a moment of exquisitely awkward audience interaction, and a wonderful world made from dancing hands. The simplest pieces perhaps, but the ones with most warmth, and wonder, and otherworldly charm.
Yang Liping’s Rite of Spring | Peacock Contemporary Dance Company
Surely, it’s one of the most illustrious and unpredictable experiences any audience-member will have in a theatre. It lurches from the patient, meditative opening to moments of almost pure anarchy. Golden light gives way to pure darkness. Dancers attack and exhaust themselves – euphoric and terrified. It’s a lot.
But, throughout, I kept returning to the ideas of Rite of Spring. That question.
What’s the impact?
The Bluebird Mechanicals | Too Close To The Sun
The Bluebird Mechanicals may be one of the tightest, most considered and deliberate works I’ve ever seen. There isn’t an inch of the show that doesn’t feel like it’s been refined and distilled to its purest, most impactful essence. It knows exactly what it wants to say and exactly how to say it. But, the work’s choice of vocabulary and materials in articulating its ideas are so removed from the norm that, again, it can only easily be described as weird.
WonderWombs | The Dust Palace (NZ)
This is top quality contemporary neo-burlesque. Full of provocations that subvert stereotypes of 'woman', it is righteously sex-positive and utterly refreshing for it. Yeah these girls are hot, but it's never about who is watching, it's all about how good it feels within.
Hamnet | Dead Centre
Children. You cannot trust them. You cannot trust them to know the appropriate etiquette. They might ask you anything.
Per Te | Compagnia Finzi Pasca
They are almost reticent in their judicious use of acrobatic scenes. These are acrobats, but they have made a fable. The skills are there, but this is not a Cirque du Soleil-esque production. This is something else.
I Am My Own Wife | Doug Wright | performed by Ben Gerrard
Some of the strongest words are Charlotte’s own, especially when she speaks about why she never restores anything, lest it loses its character. All scars are sacred time-keeping, all fault-lines are memories, all cracks are to be treasured; they are the living proof. Is she talking about antiques or human bodies. You get to choose.