ASK | Tristan Niemi

ASK | Tristan Niemi

You could absolutely feel the tension in the room, it was palpable. I felt the recognition of my role as a voyeur in this maelstrom, and my heart started to race. It was thrilling. I felt compelled to keep asking questions. In fact, I asked questions through the whole show, for various reasons. Originally it was curiosity, and even partly some sort of weird benevolence towards the artist in the beginning. This was killed off by of an uncontrollable desire to hear as much of their story as possible.

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Maze | The Naughty Corner Collective
theatre, physical theatre, review Georgia McKenzie theatre, physical theatre, review Georgia McKenzie

Maze | The Naughty Corner Collective

The actors used neon tube lighting to move around the space, giving shape to the maze and blocking Wray’s path as he approached dead ends. This was a very effective use of the small stage. Further, it made the labyrinth feel alive, almost like a character itself, with the lighting being the blood pumping through the veins of the tunnels.

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The Freshblood Festival 2021 | Vena Cava Productions

The Freshblood Festival 2021 | Vena Cava Productions

The Freshblood Festival allows a platform for emerging artists to showcase and workshop their work in a professional capacity. Each performance I viewed was written by current QUT students and alumni. I must admit that I was blown away by the level of professionalism that was showcased in this festival, and I hope that I will be able to get to the festival again next year.

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A Midnight Visit | Broad Encounters
theatre, review Georgia McKenzie theatre, review Georgia McKenzie

A Midnight Visit | Broad Encounters

What the creative team of A Midnight Visit have created is truly something wonderful that transported me into a world where my imagination could run wild. I felt childlike exploring the rooms and listening to the characters, as though I was romping around an exciting large playground for the first time.

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