Pierrot | Martelle Simon-Green
[Pierrot] was so intimate. I felt like it was just me and them and the simply dressed stage. I went with them wherever the performers took me. At times the performance was so tiny, but I was still with them, peeking into their stillness. I left feeling quite speechless which isn’t like me.
The Bluff | The Drawer Productions
The Bluff is an Australian Gothic play that utilises all of the tropes of the genre to full effect to explore the impacts of a tragic event on a small community, the burden of guilt and shame, the effects of gossip and rumour and the very question of our own existence. There are marshlands, apparitions, isolation, guilt and so, so many secrets; all the good gothic stuff. And this is all finely balanced by enough light moments that we don’t get sucked into complete maudlin Wuthering Heights territory.
Not for ... Exposure | Mad Dance House
I’m just beginning to understand the immense dance talent that’s on offer in Meanjin and I think there are many lovers of live performance like me who are finally starting to wake up to the calibre of the street performers based in our town.
Dominoes & Rum | Nicholas 'Prince' Milverton
The engaging, entertaining and punchy script does lay bare the real truth that migrants grapple with after leaving their country. It is obvious from the plot that reconnecting with one’s roots forms an integral part of identity while belonging to a community of like minded individuals is priceless. It also raises the burning question of cultural assimilation versus acceptance.
"It’s been (another) difficult year, and we all deserve a Happy Hour." Darcie Rae on the escapist joy of Glitter Martini's latest show
I have spent a fair bit of time thinking about capital A “Art” over the last couple of years, and the line between art and entertainment. I’ve landed on joy as being a perfectly acceptable reason for something to exist, and this show is a celebration of that. Also all the acts are themed around happy hour beverages.