POWER | Strong lady Productions

I have only ever been to the circus once in my entire life. I was very young and barely remember it outside of a devastating incident involving a helium balloon and a loose grip. As such, I was not entirely sure what to expect from POWER but I was presently surprised to find that an ability to surrender actually came in handy.

Image: James Clare

The Strongest Woman Alive - Charmaine Childs’ - POWER uses circus, physical theatre, memoir, and archival audio to investigate the nature of power and what it is to truly feel strong.

My plus one and I had both found ourselves “oof”ing and “oop”ing as we saw and heard our experiences reflected back to us. But before anything got too angsty we were swept up into awe by Childs’ physical prowess going as far as to say, “I know this is legit but it looks so easy that my brain almost wants it to be fake” in response to a number of her skills. I will admit my inner bookworm did shed a tear over seeing a book being torn clean in half but the rest of me was far too impressed to listen to their whining. 

Image: Sean Longmore. Cover image: Sophie Postlethwaite.

Childs herself seems like the type of person whose hugs make you feel safe. She possesses a charm that helps her win the audience over almost immediately. Childs is the perfect guide and guardian for the audience as they travel through what power, strength, vulnerability, and weakness all look and feel like to them. From hearing her story and witnessing her vulnerability I can confidently say Childs is not only a Strong Lady, she is a strong person as well

As easily as Childs could have removed me from my seat, it wasn’t necessary as her story and those of the people she interviewed were enough to move me all on their own. All-in-all POWER is a wholesome, thought provoking, wildly impressive night at the theatre that will leave you smiling the whole way home.

Tristan Niemi

Tristan (they/she) is an internationally accredited Queer Disabled multidisciplinary artist and activist with backgrounds in writing, theatre, dance, and music living and working on the unceded lands of the Jaggera and Turrabul people. Born and raised on the lands of the Yuwi people they moved to Meanjin in 2017 to complete a Bachelor of Fine Arts (Drama) at the Queensland University of Technology. During that time and since graduating they have produced poetry, prose, and performance works for numerous local and international publications, festivals, and production companies – including their self-published zine High Priestess Monthly.

They recently graduated from a Bachelor of Arts (Honours) with First Class in the field of Drama at the University of Queensland. Their research paper 'Steering Clear of the Wallowing Place: A Dramaturgy of Queer Tragedy' sought to develop a series of best-practice guidelines for playwrights and dramaturgs who seek to tell stories of Queer suffering without re-traumatising the audience they wish to represent. Tristan was able to present some of this research at the Australasian Drama Studies Association's annual conference towards the end of 2021 and aims to see it distributed as widely as possible so that real changes to way works about Queerness are framed can be made.

Personally, they hold a deep fascination of work that leans Queer and delves into themes of witchcraft and spirituality. Theatre is ritual and so seeing ritual made into theatre truly tickles Tristan's fancy.

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