AI May - Embodi Theatre
review, theatre Nadia Jade review, theatre Nadia Jade

AI May - Embodi Theatre

AI May is a play that explores grief, and the ways in which we process it, or the ways in which we do not. It is a slice of tomorrow-styled science fiction, or as it totes itself, futuristic realism, wherein potential technologies of artificial technology have become commonplace in the not-too-distant future, replacing social services and healthcare and other daily essentials.

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Harpies | Eli Free
review, physical theatre, theatre Ophelia Novak review, physical theatre, theatre Ophelia Novak

Harpies | Eli Free

At times graceful and at others deliberately repugnant, these actors gave their all for this show, creating a sense of community with each other and their audience as they progressed. They also involved other artistic elements including electric guitar, puppetry and roving, and it was clear that this is a multi talented, local cast.

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Cirque Bon Bon - Le Retour | JACs Entertainment
review, circus Ophelia Novak review, circus Ophelia Novak

Cirque Bon Bon - Le Retour | JACs Entertainment

There were so many excellent moments in Le Retour, but one special highlight for me was contortionist and foot archery artist, Shannen Michaela, who performed her spectacular and technical archery act. The crowd was blown away by the acts, how she was able to set the scene, with accompanying epic music, as well as her charisma and perfect execution.

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Big Name, No Blankets | Andrea James with Anyupa Butcher & Sammy Tjapanangka Butcher
review, musical Catherine Lawrence review, musical Catherine Lawrence

Big Name, No Blankets | Andrea James with Anyupa Butcher & Sammy Tjapanangka Butcher

Each of the actors presented a compelling portrayal of the members of the band. Baykali Ganambarr’s Sammy was humble, modest, honest and a great narrator of the story. Definte highlights included the fantastic vocals and performances by Cassandra Williams (Suzina, Mum & Ensemble), and the superb stage presence and singing by Taj Pigram, as the Warumpi Band frontman.

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Private View | Restless Dance Theatre
review, dance MJ O'Neill review, dance MJ O'Neill

Private View | Restless Dance Theatre

Private View is a work that encourages us to dream wildly and let others dream wildly of the love, desire, kindness, lust, and affection we all deserve. It shows us its dreams and gently invites us to remove the barricades and barriers we have within our own. And, with every dream it liberates, I know it changes our world for the better. It’s just bloody lovely, is what it is. 

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Trent Dalton’s Love Stories | Tim McGarry, Trent Dalton and Fiona Franzmann with Brisbane Festival and QPAC
review, theatre Kaylee Vera review, theatre Kaylee Vera

Trent Dalton’s Love Stories | Tim McGarry, Trent Dalton and Fiona Franzmann with Brisbane Festival and QPAC

Following the resounding success of Boy Swallows Universe as a novel, play, and Netflix series, it was almost a given that we would see another of Trent Dalton’s books adapted for the stage. Walking into Love Stories it is nearly impossible to not have expectations. But comparing the two adaptations is unfair, Love Stories is its own experience with a very different narrative approach.

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Lighting the Dark | DanceNorth
review, dance Catherine Lawrence review, dance Catherine Lawrence

Lighting the Dark | DanceNorth

As the performers are presented, they are each warmly hugged and welcomed by Chris Dyke—communicating a sense of the artists as people who need to work closely with and trust their fellow dancers. It’s wonderful to then watch those individuals transform from initial ‘chatter,’ and playfulness, to performing impressive dance—here a literal lighting of the dark stage, when the artists ‘switch on’ their performance skills.

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Us and All of This | Liesel Zink, Lawrence English, & Performing Lines
review, dance Stephanie Markwell review, dance Stephanie Markwell

Us and All of This | Liesel Zink, Lawrence English, & Performing Lines

Zink and English have achieved something incredibly special here - a true collaboration with highlights coming from both mediums present within the work, it was an honour to watch it in this iteration, with these performers, at this location. Installation art has the ability to change the world in which it exists, and nowhere have I found this to be more true than with Us and All of This.

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Limbo - The Return | Strut & Fret
review, circus Glorianna Grace review, circus Glorianna Grace

Limbo - The Return | Strut & Fret

Without spoiling too much, it was an enchanting blend of artistry, music, and acrobatics that was sensual, whimsical, intense, and dangerous. If you fancy a ride into a sinister and sexy circus netherworld that will leave your heart pounding, then ‘Limbo-The Return’ is the perfect show for you.

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