GURR ERA OP | Ghenoa Gela in association with Force Majeure & ILBIJERRI Theatre Company
GURR ERA OP is a cautionary tale - yet another timely warning of the very real danger that creator Ghenoa Gela’s Torres Strait Islander communities are having to face with their ancestral homes slowly being devoured by the increasingly rising oceans. There was an undeniable underlying darkness as we were swept up in this engrossing production and the reality of the devastating effects of climate change.
Fancy Long Legs | La Boite Theatre & Little Red Company
Honestly, it’s the type of work I’d like to see championed by platforms like Brisbane Festival and La Boite as a general rule. It’s local, it’s ambitious, it’s kind, it’s inclusive, it’s fun... So why did it annoy me so?
GRIMM | Shake & Stir
Shake & Stir are one of Queensland’s best known theatre companies and they know how to put on a show. GRIMM, their latest offering, was no exception and soared into the self aware, campy horror I love with both glee and skill.
Eucalyptus - The Opera | Brisbane Festival, QPAC and Queensland Symphony Orchestra
Eucalyptus – The Opera might be about the everyday of a small town, full of small people but their grandiose experience of that mundanity is portrayed to dazzling effect here. Evocative, haunting, and distinctly Australian, this work is one I hope to see do very well and thus usher in a new wave of Australiana at the opera.
Jean Paul Gaultier’s Fashion Freak Show | Jean Paul Gaultier & Brisbane Festival
Fun, flashy, and fantastical; Jean Paul Gaultier’s Fashion Freak Show is a love letter to fashion geeks, theatre freaks, and the super chic everywhere. It’s a spectacular night of entertainment that takes to a world where everything and everyone can be (and is) beautiful. You do not want to miss it.
The Dream Weaver: Guardians of Grace | Grace Lillian Lee
Each set of armour and shield represents one of Grace’s relatives, creating a physical family tree of woven sculptures. The individualised detail and numerous differences (both subtle and obvious) in each relative’s manifested representations indicates a considered and thoughtful approach to the work. The artworks seem to breathe the life story and memories of their namesakes, and while inspecting the work I could almost see the emotion poured into each stitch and weave.
Meet Your Maker | Alethea Beetson & Blak Social
Captivating and clever in its rendition, Ken Weston’s video design skills are certainly praiseworthy. Beetson’s one-woman performance doesn’t miss a beat as she sings, dances, plays instruments and interacts with these high calibre videos that unfold sequentially across the dominant screen. Her interaction with each is truly commendable and authentic in its fast-paced delivery and simultaneously, convincing enough to blur the boundary of video versus Beetson’s on-stage presence.
Lightscape | Brisbane Festival & Sony Music Entertainment
This is an epic collaboration and a must-see experience for everyone. Expect a mix of popular songs, soundscapes, curated spaces, differing uses of lights and projections within the 1.8km trail.
Kitchen Studio | Elizabeth Willing
Elizabeth Willing blended sculpture and food in a way that meant visually the two were almost indistinguishable. It also meant that as well as focusing on the food, I was also drawn to the tactile feeling of the plates, menus and tables.
The No Bang Theory | Oliver Hetherington-Page
The show itself is a delight, but it stands out against the current landscape of mainstream theatre - Hetherington-Page’s call to action for greater representation and platforming of neurodiverse artists within theatre spaces is a powerful act.
Be Iconic | Fashion Collab & Brisbane Festival
Be Iconic signified the beauty of diversity and inclusivity and freedom by redefining the runway, bringing incredible artists and community to the creative vision. This show delivered on its promise wonderfully - it was inclusive, adaptive, sustainable, and allowed people to express their individuality freely.
Volcano | Luke Murphy's Attic Projects
I knew about ten minutes into the final episode that I would be giving this work a standing ovation and did so with a swiftness I’ve not afforded another work perhaps ever, and my fellow audience members did not hesitate to join me. Haunting, evocative, captivating: Volcano is utterly brilliant, utterly utterly brilliant.
Briefs Factory on The Art Boat | Briefs Factory & Cluster Arts
Super entertaining, very festival-y in its novelty, and by far the best boat trip I’ve had down the Maiwar (Brisbane River).
Fun Home | PIP Theatre
Even though lesbian representation isn’t as rare or poor as it was 10 years ago, it still makes me feel warm and fuzzy when I see it. So of course one of my favourite songs was ‘Changing My Major’ where College Alison sings about her new girlfriend after coming out and sleeping with her for the first time. In this piece Enright’s performance perfectly captured the awkward joy of ‘leaping out of the closet’.
Straight from the Strait | Opera Queensland, Yumpla Nerkep Foundation and QPAC
Straight from the Strait is a joyful unfolding of a History lesson taking off on the pulsating wings of soulful songs and reverberating through stamping feet carrying ancestral rhythms and wisdoms. It held me captive from the get-go and set my spirit free by the end of the night.
Dreams & Stories | Queensland Symphony Orchestra with William Barton
Sculthorpe’s Kakadu followed, which was a standout in terms of William Barton’s additions through didgeridoo. Note that this was not part of the original score and something Sculthorpe included after hearing Barton play. In part a beautiful homage between musos. I loved the harmonic shifts of the different instruments mimicking birds, trees, nature and the sometimes flight, fright, freeze and fawn.
Our hot picks for BrisFest 2024
Spring is in the air and what does that mean for Magandjin / Meeanjin? It’s time for BrisFest! Running from 30 August to 21 September this year, we’re once again spoilt for choice with some epic offerings of theatre, circus, musicals, dance, cabaret, live music, installations and so much more. This is way too much goodness in the program for this year’s festival, so who better to turn to than the writers of NEHIB to let you know what you simply must see at BrisFest this year.
Psycho Beach Party | The X Collective
High camp is the name of the game here peoples. From beginning to end Psycho Beach Party is irreverent, tongue-n-cheek, tasteless, and an utter giggle-fest. The play ends, the cast bows and all I had to say was “that was deeply, deeply silly”. And I need you to understand that in this context that is a massive compliment.
Disney Off Ice | Observatory Theatre
Pre-recorded videos of the actors' faces were projected on screen during moments of tension while the actrs were performing live in front of the projections. This was a really impactful stylist choice for the work, which heightened the performances of the actors.
Scenes from a Yellow Peril : A hard-hitting minefield of contemporary identity politics through an Asian lens
“Theatre can only survive if we provide opportunities for the marginalised to be seen and heard. It's essential to develop platforms where artists can push boundaries and build careers, and cater to audiences who normally don’t get to see themselves represented and feel included … If we continue to invest in these spaces of access and inclusion, we will cultivate more artists and develop broader audiences, proving that theatre is for all. “ Co-Director and Producer, Egan Sun-Bin.