AMOR | D.I.V.E. Theatre Collective
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AMOR | D.I.V.E. Theatre Collective

Each phrase is a delightful piece of poetry expertly delivered. I long to read the script in it’s entirety, so that what was shared could be later accessed as a source of wisdom. I contemplate returning for another night just to hear it all again. Recitals came through in various dialects and the tonality of each reminds us of love’s universality. We all can sometimes struggle in it, or thrive in it, regardless of cultural background.

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“The mission is to make art accessible to all” The Affordable Art Fair 2024

“The mission is to make art accessible to all” The Affordable Art Fair 2024

The Affordable Art Fair has arrived in Brisbane / Meanjin for the first time, showcasing artwork from over 40 galleries under one roof. Upon entering the fair the scale of the event is evident. I can confidently say that I have never seen so many different artists showcased commercially in one place.

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37: The play that exposes the dark underbelly of Footy
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37: The play that exposes the dark underbelly of Footy

This is an excellent show par none that can be enjoyed by both arts and footy lovers. By including the vessels of sportsmanship, authenticity, integrity and an outstanding dialogue, this quality production aptly conveys the community spirit, thrilling energy and intense physicality of this much loved and popular sport. The talented ensemble tackles the deep themes that writer Nathan Maynard covers in this play with humour, energy and a whole lot of heart particularly when the top dogs are pitted against the underdogs. 

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Reuben Tsang in Concert
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Reuben Tsang in Concert

The highlight of the day was Franz Liszt’s Rhapsodie espagnole S 254. This suggestive traditional Spanish music opened with a cadenza, included rapid chords and octaves, that was spiced with the feeling of improvisation. Tsang dazzled me with his exquisite piano techniques and I was impressed by the way he swept those 88 keys so blazingly.

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Dots+Loops: Rewind
review, music Triss Niemi review, music Triss Niemi

Dots+Loops: Rewind

The walk down memory lane ends, and we are ushered out in the foyer for the after party. There’s a bounty of cupcakes (I told you there would be cake didn’t I?) and HipHopHoe is waiting for us with an epic and eclectic set that has the crowd dancing their socks off for the last hour and a half of the night.

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So you got the grant, what’s next?
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So you got the grant, what’s next?

A while back I wrote an op-ed on how to prepare a grant and work with a writer on crafting a decent application. Now let’s talk about getting the first successful grant and what to do and what NOT to do. It feels like winning the lotto 100%, but stuff has just gotten real and you’re probably totally wigging out now.

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What Will Have Been | Circa
circus, review Catherine Lawrence circus, review Catherine Lawrence

What Will Have Been | Circa

The three acrobats are the stars of this exceptional show that features incredible hand balance by Daniel O’Brien, a fluid and moving straps solo (and acrobatic ‘dance’) by Kimberley Rossi, and quite amazing strength work by Zac Stephens. In just over 60 minutes, the performers demonstrated their mastery of circus arts to create moments of beauty, strength, power, fear, tenderness, pain, humour, wistfulness, joy, and connection.

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Banging Denmark by Van Badham | PIP Theatre
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Banging Denmark by Van Badham | PIP Theatre

PIP Theatre’s Banging Denmark advertises itself as a fun night of solid entertainment and it delivers on this in spades. It’s real, raunchy, and wriggles its feminism in underneath the laughs in a way that keeps it squarely in the land of entertainment rather than delivering a gender studies lecture.

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“Post-genre means equity and inclusivity: every genre, every discipline, every community, has something valid to share.”
interview, music Nadia Jade interview, music Nadia Jade

“Post-genre means equity and inclusivity: every genre, every discipline, every community, has something valid to share.”

Looking at it this way, the most important aspects therefore weren’t just the pieces we programmed, or the particular genres involved, but how, and why, we do what we do. This realisation has given us so many more possibilities artistically, but also resulted in us curating using our values of social equity, non-hierarchical artistic collaboration, and celebrating community first.

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The Wolves | Ad Astra
review, theatre Nadia Jade review, theatre Nadia Jade

The Wolves | Ad Astra

Hill does an excellent job threading the metaphor of the team-mates being Wolves through use of physical theatre and individual movement sequences, creating an animalistic quality to their characters.

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Pygmalion | Minola Theatre
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Pygmalion | Minola Theatre

To answer the question of ‘Why this play?’ and ‘Why now?’. Based on Dekker’s direction, I’d argue that it was to remind us all that just because we may have the opportunity or resources to change someone’s lives who we believe is lesser than us, it doesn’t mean that we should. I’ll let you simmer on that…

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Observatory Theatre: ‘What does theatre do in a post-truth, post-pandemic world?’
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Observatory Theatre: ‘What does theatre do in a post-truth, post-pandemic world?’

The Observatory Theatre team launched their 2024 Season at Yeerongpilly’s Studio1. Lachlan Driscoll (Creative Producer), Lucy Rayner-Toy (Associate Producer) and colleagues certainly have much to celebrate. In developing what Driscoll describes as ‘big, bold, ambitious theatre that responds to today,’ the 2024 Season focuses on supporting and developing new works, centred on their successful Telescope new writing program.

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