Cirque Jingle | JACs Entertainment
review, circus Catherine Lawrence review, circus Catherine Lawrence

Cirque Jingle | JACs Entertainment

There are a lot of great choices for a festive-themed show this season, including shows that have returned for many years. It’s great to see that JACs Entertainment has produced a show that complements those choices, offering an event that is suitable for the whole family.

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The History of the Devil | Polymorphic Productions
review, theatre Triss Niemi review, theatre Triss Niemi

The History of the Devil | Polymorphic Productions

My plus one and I were eager to see what lay ahead of us when we reached MetroArts for The History of the Devil. We were hopeful that we would see some evocative, intellectually rigorous, and emotionally poignant theatre. The show Polymorphic Productions gave us was certainly the first of these three things. 

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GODZ | Headfirst Acrobats
circus, review Triss Niemi circus, review Triss Niemi

GODZ | Headfirst Acrobats

When we talk about beautiful men, we will often say ‘Awh, he’s like a Greek God’. Headfirst Acrobats take this aphorism and run, giving us GODZ: a one-hour high comedy, high camp, circus extravaganza, all the while keeping it extremely sexy.

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Jack Sharpe and The Curse of The Forbidden Fruit | Fake Blood
theatre, review, physical theatre Catherine Lawrence theatre, review, physical theatre Catherine Lawrence

Jack Sharpe and The Curse of The Forbidden Fruit | Fake Blood

I loved the detailed research, the entertaining Harry Potter and Indiana Jones references, the story arc of the show, and the high-energy performances by each of the three artists. And I enjoyed the clever use of the apples as a metaphor for opening the eyes of performers, creatives, commentators and audiences.

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Obstacle | Grace Longwill
review, theatre Triss Niemi review, theatre Triss Niemi

Obstacle | Grace Longwill

What a body does, what theatre does, what doing a body and doing theatre looks like are all for her to decide. She has created a space that is accessible to her in every sense and while this may disrupt the viewers sense of “good” and “polished” theatre, she doesn’t apologise for it and we (or at least I) don’t have a single complaint about it.

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The Bed Party | </a>Sophia Davidson Gluyas
theatre, review Virag Dombay theatre, review Virag Dombay

The Bed Party | Sophia Davidson Gluyas

Gluyas seamlessly integrates the commentary into everyday conversation between five friends, creating sharp, witty and tongue and cheek dialogue. As a result, I can honestly say that it’s the sharpest writing I’ve seen on the PIP stage.

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IMPACT | Vulcana
review, circus Kaylee Vera review, circus Kaylee Vera

IMPACT | Vulcana

The showcasing of such a diversity of voices all affected by the climate crisis is what made IMPACT special. The entire event felt like a community getting together to share stories and find comfort in shared experience.

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Sleep and the City | Emma-June Curik
review, musical Georgia McKenzie review, musical Georgia McKenzie

Sleep and the City | Emma-June Curik

The performance was a thought-provoking experience that left me with a whirlwind of emotions. It combined the three things that tend to lead to the best original work‌: raw vulnerability, education on a misunderstood topic, and catharsis. This combination seemed to result in a unique sense of community and belonging that I hadn’t expected.

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Erth’s Shark Dive | Erth Visual &amp; Physical Inc.
review, immersive Georgia McKenzie review, immersive Georgia McKenzie

Erth’s Shark Dive | Erth Visual & Physical Inc.

Erth’s Shark Dive did indeed deliver on the immersive 'cage diving' aspect, but it offered so much more than I had anticipated, leaving a surprisingly profound impact on me. The performance was informative but also deeply moving and beautiful, providing insights into the underwater world that I hadn’t expected.

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