La Boite Season 2023: Bolder and braver
When introducing the season, Stewart shared that she hopes that La Boite’s four main-house new Australian works will be the theatre classics of tomorrow. Stewart noted that it is, “… an entire season of necessary, never-before-seen work, brought to the stage by talented Australian artists and local creatives. From morality and betrayal, relationships and grief, identity and displacement, and crushes and cosplay, there is a show for everyone.”
The Fifth Annual Brisbane Portrait Prize Launches
Now in its fifth year, the Brisbane Portrait Prize has officially launched for 2023, with entries now open until mid august. The prize has quickly become one of the must see art exhibits in Brisbane, as it showcases some of our city's greatest artists.
Drenched | Caetlyn Watson
Brisbane was indeed privy to an extraordinary dance performance brought to the stage by a phenomenal dancer/choreographer/director. Such is the magic of performance art that it felt as if this particular choreographer had unwittingly reached inside each dancer, ripped out their ‘soul’, placed it on stage and said “I give you permission to bare yourself to the audience.’’
The Wharf Revue: Looking for Albanese | Jonathan Biggins, Drew Forsythe and Phillip Scott
The Wharf Revue is an irreverent adventure combining popular culture, cabaret and politics cleverly executed just as much as Scomo ruled the nation singlehandedly and got away with it till he didn’t. This show is just as ambitious as Clive Palmer spending $123 million to win one seat to open another iron ore mine. With such a huge field of contenders to choose from, this show delivers one punch line after the other, meticulously crafted to squeeze out every climate denying, debt defying, corrupted and lying gag possible.
"Our biggest and boldest season yet!" Lachlan Driscoll on the launch of Observatory Theatre's 2023 Season
I think seasons are a fantastic way to involve audiences more deeply in what we do as a company and also the shows themselves. The season becomes an invitation to get a bit closer. The curation of a season of work around a core focus is a chance for audiences to gain more meaning than if the shows were just standalone.
Sexual Misconduct of the Middle Classes | Josie Cross & Stephen Hirst
The emphasis on Jon’s inner thoughts and Hirst’s delivery poses the question of whether it is he who should be telling the story? Why aren’t we hearing the nineteen year old’s side? All of this gets resolved and answered in the most delicious way near the closing of the play. I actually shrieked in my seat and grabbed my friend’s hand in delight. Can you get better writing than that?
Bloom Girl | Charli Burrowes
Bloom Girl takes us to her world, a world of instant attention, interaction, gratification. Of being hyper alert ready for the next beep and armed with the next retort complete with the right hashtag. It reminds us of how demanding being connected to social media is, and what it like to be an influencer seeing what other influencers do. I’m led to think perhaps social media is a virus when I hear the mispronounced influenza spoken.
"This is for anyone with a smart phone, feeling a little bit less than." Charli Burrowes on her debut play 'Bloom Girl'
It’s a story about wanting to be loved (and 'liked'). With a few heartbreaks in my back pocket, I have combined my experiences of the digital dating scene to turn them into something a little fun, just in time for Valentine’s Day.
Spring Awakening | Millennial Productions
This was my second time seeing Spring Awakening live. The first time I saw it, it was done by a professional cast. However, despite this being a community theatre production, this was just as good. Maybe even better…
Hold Me Closer Tony Danza | The Farm
Hold Me Closer Tony Danza took me by surprise. I expected a show that was much more focused on pop culture references and punchlines. These aspects were undoubtedly present, but the show was more impactful and thoughtful overall. The common ground of pop culture and music was used to bring the audience together and prime us for more complex topics. While watching, I felt simultaneously unsure of what was coming next and excited to see where the performers would take us. This show will be stuck in my head for a long time, alongside the slightly altered chorus of Elton John's Tiny Dancer.
"It shows how much views are changing on sexuality." The cast of Blush on making a 'sexy adult circus' more subversive & inclusive
Some of the reviews we received had a bit of a stab at the male nudity, but not the female nudity, because Australian audiences especially are very used to women being sexualized in that way… And the success of the show sort of shows how much people are changing, like how much views are changing on sexuality.
Slava's Snowshow
here were marvels galore, and an endless stream of giddy slapstick, which is the simplest and most beautiful form of comedy that exists. It punches neither up nor down. To understand it requires no language not even the speech of toddlers, for they too grasp the innocent amusement of slapstick effortlessly. To try and fail is the human condition, we know it implicitly.
Blush | Highwire Entertainment
This isn't one of the typical cabarets that tries to sell sexy as performers brushing past each other, femme figures as objects and same-sex desire as queer baiting. Blush makes the titillation of such shows seem like childhood flights of fancy. There is something truly for everyone here, with each performance celebrating love, lust, passion and desire in various forms.
Breaking | Counterpilot
A heavy feeling of helplessness and hopelessness overcame me as my anxiety increased with the unsettling news bulletins becoming grimmer and grimmer, sometimes bordering on the absurd, sometimes tinged with the darkest humour. Overall the weight of the well-scripted news bulletins was nothing short of palpable.
Babushka Regifted | Babushka
Yet, underneath all the laughter, Babushka Regifted included a lot of great social commentary. They delved into love, despair, poverty, consent (sitting on Santa’s lap), and particularly feminism. Some memorable quotes include “a woman’s duty should not be stuck in kitchen”, “ovaries should not be stuck in the oven”, singing ‘We Three Queens’ instead of ‘We Three Kings’ following the Star, and singing from the ‘Hyrrs’ (Her) book instead of ‘Hymm’ (Him) book.
Down the Rabbit Hole | Aboriginal Centre for the Performing Arts
Accompanied by a catchy, upbeat original musical score, the stark reality of dealing with mental health issues was laid bare. As they worked their way through their group therapy session with Dr Hatter, the characters’ myriad mental health issues are revealed through incorporating catchy dance numbers and engaging singing.
Slippery | Curtain World
There is a clear internal logic to the fantastical in Slippery, but with just enough of the familiar that it’s both hilariously weird and painfully relatable. Slippery feels like being pulled down a rabbit hole into a fantastical genderless fever-dream where everyone in the Vatican is gay, spoons are idiots, and cucumber vape juice will kill you. It’s unashamedly absurd, unapologetically queer, and hysterically funny.
Pierrot | Martelle Simon-Green
[Pierrot] was so intimate. I felt like it was just me and them and the simply dressed stage. I went with them wherever the performers took me. At times the performance was so tiny, but I was still with them, peeking into their stillness. I left feeling quite speechless which isn’t like me.
A Very Naughty Christmas | Woodward Productions
This is a clever, funny, adults-only burlesque-meets-musical-theatre. It isn’t high art, it won’t test your powers of concentration, and it’s probably not going to inspire social action—but it gets 5-stars from me. Sometimes we just need an enjoyable night out.
In Your Dreams | Polytoxic
It is not often that I get the first line of my review handed to me during a performance. According to Polytoxic, my review should start with “five stars and checking [my] privilege”. We don’t do star ratings at Nothing Ever Happens in Brisbane, but I’ll happily make an exception for Polytoxic’s new work, In Your Dreams. This show promises a line-up of glass-ceiling smashing, system dismantling, genderqueer, fiercely intersectional artists, and delivers spectacularly on this promise.