Five Emerging Playwrights to Keep Your Eyes On…
That’s why it has been so reassuring to see a plethora of new playwrights emerging in the Brisbane independent arts scene, who have such a gorgeous control over their texts. If you haven’t heard of these indie playwrights before, jot their names down and follow their socials, as I can guarantee that you will be blown away their artistry.
Homily | theatrePUNK co.
The painful journey of survival as young queer person in a distinctly hostile world is not one we can tire of hearing in all its variations, at least not until the damned trial of becoming ceases to be and our queer brethren can just live their lives as awkwardly and safely as everyone else.
Rodgers + Hammerstein’s Cinderella | Crossroads Live
Advertised as a “surprisingly contemporary take on the classic tale”*, this 2013 adaptation of Rogers + Hammerstein’s Cinderella fails to deliver any refreshing takes on the outdated traditional fairy tale. While there are certainly elements that are different from the well-known story—new characters, additional parties, expanded motivations for characters, and shoe things—the main problematic and patriarchal factors from the original plot remain intact.
Raising funds for the Support Act ‘Roadie fund’ with loud music and good times
The pandemic hit many industries very hard, and one that was almost impossibly decimated was the arts. But while the artists at the front of house made a lot of headlines, one of the industries that didn’t get so much attention was behind-the-scenes… the crew who get our stages and venues bumped in, lit, rigged, bumped out, and transported. On Sunday, August 7, starting from 5pm at The Zoo Brisbane, COUNT ME IN: Fundraiser will be taking the stage to raise a donation for CrewCare’s ‘Roadie Fund’.
Best Cafes to Stay All Day and Write in Brisbane
One of my favourite past times is to sit in a café and write – whether that be writing plays, short stories, poetry… you name it. So, I thought I’d make a list of the cafes that I frequent the most with a notebook and/or laptop in hand, ready to get those creative juices flowing.
Blanc de Blanc Encore
Blanc de Blanc Encore delivers a high-paced 100+ minutes of variety-style entertainment, ranging from song, dance and European-style clowning, through to foot-juggling, Chinese pole and aerials. Be ready for a quick and entertaining ride.
Ruby Moon | Ad Astra
Ruby Moon is an important work and was inspired by the headlines of missing children in the past. When we think of the tragic news of Daniel Morcombe and William Tyrell, and how today we live in a world where media plays such a big role in our lives that when a story like that happens it becomes almost unavoidable to not get caught up in the anxiety or feel the grief of their family. I think it does a great job at exploring the corruption of innocence and how our perceptions can drastically change after such incidents.
Love Lust Lost | Broad Encounters
It’s almost impossible to describe the experience to someone if they’ve never attended an immersive theatre show. It’s part musical, part Choose Your Own Adventure, part adult playground, and part fever dream, with a dash of meta-narrative and so much more. If you attended Broad Encounter’s record breaking run of A Midnight Visit last year, you’ll have an idea about what to expect – gloriously detailed set design that you’ll want to explore at length, beautifully twisted characters roaming the sets, secret passages, numerous secrets about the world that can be found throughout the rooms and interactions with the characters and even a few puzzles to get lost in. All the stuff that you’d expect from a good immersive theatre show.
"Every possible aspect of what the audience may experience must be thought through." Kirsten Siddle dishes on 'Love Lust Lost'.
The work has been in creative development for almost three years, so we’re pretty thrilled that it’s finally premiered. Creating immersive theatre is challenging! There is an infinite amount of detail involved, everything must be layered and layered over each other and absolutely every possible touchpoint and aspect of what the audience may (or may not) experience must be thought through, carefully curated and dramaturgically analysed. There’s a team of more than 100 superstars behind this show, so there’s a lot of moving parts, but the team is a true powerhouse and every problem is tackled with creativity, flair and determination.
Our Blood Runs In The Street | Shane Anthony and Ensemble
All in all, Our Blood Runs In The Streets does the job it set out to do. It provides audiences with a hidden history of this place and does so in a way that is emotionally evocative rather than destructive – with a slightly more nuanced range of representations and more rehearsal I think this work could have left me a sobbing mess rather than a lightly weeping one.
An Ideal Husband | Lewis Treston & La Boite Theatre
An Ideal Husband provides a grim insight into how a lot of the peril we encounter currently – climate change, corruption, rampant racism, homophobia, and xenophobia – could have been prevented had a few more people stuck to their principles and didn’t give-in to corporate greed or a lust for power. All while managing to be the most joyous experience I’ve had in a theatre in a long time. Deeply hilarious. Wild(e)ly entertaining.
The Sunny Tribe District | Robert the Cat
The cast were tight knit; not a move or beat out of place in delivering this chaotic script. Each member of the cast effortlessly carried the weight of the responsibility placed on the ensemble. From the Olivia Rodrigo sing-along, to the synchronised, lavish dance sequences to the perky rap battles to the overly sexual demonstration of how to pour water over each other, everything that they threw at us no matter how absurd or obscene was executed to glorious effect.
West End Film Festival promises a wildly innovative program for 2022
This year’s Festival is hyper local yet national featuring flicks from chilly Melbs to humid Darwin covering content on hot topics, music videos, animation, dramas, youth, other cultures and a wonderfully inspiring, provocative, yet diverse program from our own homegrown 4101 and SEQ filmmakers. Audiences will get to view an amazing talent of multimedia events across West End plus find unexpected popup film events in non-traditional film settings.
La Traviata | Opera Queensland
What does it mean to choose love when it always ends (either in death or heartbreak)?
What is it to truly connect with people in a world obsessed with the immediacy of pleasure?
Why do men still feel entitled to scorn and humiliate women when they live in authentic ways?
Why must women only be one thing? Why can’t they decide to change? Why does society still berate them for their multitudes?
La Traviata | Opera Queensland
As curtains rose on the lavish opening party scene, I couldn’t help but feel it was simply an extension of the pre-show mingling that I’d borne witness to just outside the doors. I’d also heard that opera, in its penchant for the re-staging of classic works and the capacity to afford to do so, often offers a vivid window into an era, a place, or a moment in time. And for Opera Queensland’s La Traviata, this was true of both the stage and the foyer.
Cool Story Bro | Big Fork Theatre
One of the coolest parts of Cool Story Bro is that every show night is its own opening and closing night. What happened on Friday night will never happen again, and the only people in the world who got to experience it are those who were in the room. So for all those reading this, I’m sorry, but you will never, ever, get to experience the pure extasy of watching a group of people spontaneously assume the role of sperms and egg in the fight for fertilisation.
Love Lust Lost | Broad Encounters
This desire to return immediately to a show I have just seen is a trait I feel is unique to immersive theatre. Most theatre tickets will send you to witness a story, while a ticket to Love Lust Lost is a ticket to send you into a new world. A must-sea.
Love, Lust, Lost | Broad Encounters
Words cannot give this show justice, as the level of immersion and the depth of character cannot be overstated. Immersive theatre is the way of the future, and Love Lust Lost proves that. No show has ever made me so curious, and I want more people to see the show simply so that I can talk to more people about it. I would say I will see the show again, but I worry that won't be enough.
THREE 2.0 | Australasian Dance Collective
The dance pieces intrigued me and left me thinking about the meaning and message behind them. Each piece was abstract and unique, and brought out their own essence, mood and atmosphere. The choreography, utilising various techniques, with both soft and sharp movements, efficiently expressed human being’s emotional boundaries, the surrounding political physical space, our individuality, as well as our relationship with other people.
The Ugly One | AllEntertainment
This performance is lively and light-hearted, not skirting away from its darker undertones but embracing them with a jaunty devil-may-care attitude. It’s an absurd play, with the supporting actors playing multiple characters each with the same name; which had me tumbling for clarity on a couple moments. It is relentless; the scenes blur quickly into, across, under and over each other, and the actors did a fantastic job of taking us along for a ride with them.