The Type | Pink Matter
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The Type | Pink Matter

I love seeing young women who are free. It makes my heart sing. I don’t think you ever regret making art like this - fun, determined and with all your mates and for the pure joy of it and cause it’s important and just because you want to move like this.

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Yang Liping’s Rite of Spring | Peacock Contemporary Dance Company
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Yang Liping’s Rite of Spring | Peacock Contemporary Dance Company

Surely, it’s one of the most illustrious and unpredictable experiences any audience-member will have in a theatre. It lurches from the patient, meditative opening to moments of almost pure anarchy. Golden light gives way to pure darkness. Dancers attack and exhaust themselves – euphoric and terrified. It’s a lot.

But, throughout, I kept returning to the ideas of Rite of Spring. That question.

What’s the impact?

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Common People Dance Eisteddfod | Common People Dance Project
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Common People Dance Eisteddfod | Common People Dance Project

Through sheer force of will and an encyclopedic knowledge of 80s choreography, Neridah has created the impossible – the dance off to end all dance offs that citizens from all sides of river and all walks of life could enjoy. Comprising of at least seven choreographed routines, three celebrity judges, over 100 performers and a competition where cheating is encouraged, it became the hottest ticket in town.

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Re:membering | UMWELTCollective
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Re:membering | UMWELTCollective

This is deeply personal work. This is about these two sisters; not all sisters, but these ones in particular. The tides of the relationship are marked out, sometimes it is abundantly clear to us the vicissitudes, other-times we are left to wonder.

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Dust | DanceNorth
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Dust | DanceNorth

The dancers worked in a choreography that was reminiscent of robots or possessed creatures, it was creepily effective, heads and limbs askew, almost aggressively presenting an internal animosity, a struggle between self and a rogue body.

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Bull | Kristian Šantić
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Bull | Kristian Šantić

Mythological creatures patched themselves together. Pan was present, Orpheus climbing from Hades, the horror and the cruelty of the Roman pantheon, the cold heart of Shizmu. A man in a cage, climbing to get out. The body that is frail that keeps on climbing. A creature is becoming.

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