Circus in a Teacup | Vulcana Circus & Micah Projects
I witnessed empowering moments of redemption when the ensemble flipped the script in two distinct ways. In an act of subversion, the lampshade was treated as a microphone and the closet morphed into a stage the women could stand on top of and verbalise their sentiments.
TINA: The Tina Turner Musical | TEG Dainty
Brisbane audiences will not be disappointed; this is one show that absolutely deserves to be a sellout. As my plus-one said on the opening night, this must be the best musical we have seen at QPAC. But you’d better be quick, as this show goes back on the road at the end of August.
What Will Have Been | Circa
The three acrobats are the stars of this exceptional show that features incredible hand balance by Daniel O’Brien, a fluid and moving straps solo (and acrobatic ‘dance’) by Kimberley Rossi, and quite amazing strength work by Zac Stephens. In just over 60 minutes, the performers demonstrated their mastery of circus arts to create moments of beauty, strength, power, fear, tenderness, pain, humour, wistfulness, joy, and connection.
Chicago | QPAC & Crossroads Live Australia
Chicago is the best thing I have seen, perhaps ever. Chicago is A Night At The Theatre – I can’t emphasise enough the visceral nature of the experience or the extent of its quality. Let’s just say: I was in such a state of euphoria I completely blacked out. Go and see Chicago, I don’t care who you’ve gotta screw, shoot, or shun to make it happen, just go and see it.
Bananaland | Kate Miller-Heidke & Keir Nuttall
It’s always wonderful to see other people’s creations, especially original ones. Drawing inspirations from the origin story of The Wiggles and real life experiences, Keir Nuttall and Kate Miller-Heidke created Bananaland during the pandemic
Yuldea | Bangarra Dance Theatre
Ultimately I felt it was a kind of accounting. There is no want, no ask from the audience of many peoples, each with their own reason for coming to witness. There is just the accounting. The storytelling. The truth telling.
Tae Tae in the Land of Yaaas! | shake & stir theatre co
I cannot contain my excitement as I realise that my ‘wish’ has been granted as I roll myself into the theatre. An abandoned wheelchair similar to my own graces the stage.
Choir Boy | Riverside's National Theatre of Parramatta
With any play-with-music, the sudden shifts into musical numbers can snatch the viewer out of the story and prevent them from fully experiencing pathos. It’s actually the opposite in this case. The music is phenomenal and these moments are the most affective of the show both due to the immense vocal talent of the cast and the emotional intensity they bring to the songs. It is the spoken scenes that have to justify their presence in my opinion.
The Mystery of the Valkyrie | Woodward Productions & PowerArts
Sherlock Holmes aficionados will love the twists and turns of the story that Director & Writer Michael Futcher brings and the relationship established by an exceptionally well-cast Holmes and Watson duo. Eugene Gilfedder really is Sherlock Holmes, and Anthony Gooley’s Dr John Watson was suitably endearing and enjoyable.
Girl From the North Country | Conor McPherson & QPAC
The performances from the cast were terrific across the board. Kowitz was believable as an overworked hotel manager and family man who lacks the emotional capacity to do either job efficiently, Elijah Williams was equal parts charming and allusive as the convicted boxer, but McCune stood out for her layered portrayal of a woman battling a mental illness who still finds time for joy in her life.
9 to 5: The Musical | Jones Theatrical Group & QPAC
The Australian leads did a great job with their roles. Casey Donovan’s vocals were a standout, and if you like Donovan’s voice you are definitely going to enjoy the show. Donovan’s portrayal of the newly-divorced Judy Bernly was excellent—taking us on the journey from a gauche first day at work,through to the depiction of an empowered executive who really did not need her cheating husband back.