Briefs Factory on The Art Boat | Briefs Factory & Cluster Arts
Super entertaining, very festival-y in its novelty, and by far the best boat trip I’ve had down the Maiwar (Brisbane River).
Psycho Beach Party | The X Collective
High camp is the name of the game here peoples. From beginning to end Psycho Beach Party is irreverent, tongue-n-cheek, tasteless, and an utter giggle-fest. The play ends, the cast bows and all I had to say was “that was deeply, deeply silly”. And I need you to understand that in this context that is a massive compliment.
Bumhole Brunch | Gogo Bumhole, Adrian te Veluwe and The Burrow
On the first Sunday morning of every month at The Burrow in West End rising drag star (or drag gremlin as they’d like to call themself) GoGo Bumhole brings the drag brunch back its underground, community roots. Backed by a cavalcade of Meanjin’s finest cabaret performers, it’s an infectious morning of drinks, feasting, entertainment and dare I say community that’s bound to become a sold-out staple for those in the know.
Rhythmology | Ty Goddard
I had the fortune of interviewing Ty beforehand and as often the case when creatives get together, rainbows appear. That time around I was left flabbergasted at the impact, pace and quality of this emerging production. Second time around I left feeling stunned at the slickness of choreography, the blending of multidisciplinary performance, timing, and POC excellence once again sheening in the spotlight
BRED | Briefs Factory
As impressive as the physical elements were, some of the more powerful moments were the dialogue parts. Emily delivers a powerful spoken word poem that had everyone in the room listening and Luke Hubbard stole the show for me in a closing performance that delved into the ongoing racism in the Australian police force and Indigenous deaths in custody, something that resonated with me deeply.
Rhythmology | Tyson Goddard & Backbone
It’s 7pm and I don’t want to be late and as we arrive a few minutes past the hour and do the obligatory check-ins, we see the place is teeming with POC people, the familiar feel of Backbone Youth Arts reeks of that uniquely old ozzy bowlo vibe, but as we enter through the next room, the set slips into a shimmering pink backdrop, fully seated with fabulousness dripping, geometry in the ceiling, warm hues with lighting low, you can feel the vibration from the punters peaking with jittered excitement.
Brown Church | Naavikaran
“Brown Church is a work in progress”, declares Naavikaran, and it’s clear that they have much to say. Thank those Gods within Naavi that they have created a space to share this. The very clearly rehearsed and intentional poetry recited is of considerable expertise, sheening the POC queer space into the light.
DISTURBO | Bare Legs Circus
DISTURBO is a striking exploration of self-revelation and relationship, of queer embodiment and emancipation. I am going to throw it into the ring of New Circus, an uncategorizable cacophony of circus skills, drag, kitsch, acrodance, movement, storytelling, music, mime, and physical theatre.
I am King. I am Queen | Roýmata Holmes & Room to Play
It is still very rare to see the stories of queer people of colour on the stage and screen, especially Pacifika peoples, that celebrate their joy and the importance of ongoing connection to culture in their lives. It was a joy to see Roýmata share these experiences as a part of the showing and I particularly loved the passion that they showed sharing the stories of their family and the dances from The Cook Islands.
Apocalipstick | Polytoxic
Apocalipstick used drag and gender-fuckery to engage the audience through laughter, the absurd, and the excess. There is nothing better to make someone think about serious issues than to make them laugh! Laughter sits with you in a light vein and it makes you come back to the funny sketch again and again looking for one more laugh. Drag invites laughter by highlighting the contradictions of gender through the excess: hoping for a fuck, office tape and markers become the perfect beauty tools for a face-lift and make-up, and thin-glass toxic masculinity is the weapon of the man looking for acceptance in the wolf pack.
Yummy | Yummy Productions
It’s a celebration of expression, a show-case of drag, and post-gender performance art all in one. It's not just for the boys, it's for everyone and every form of expression. Bring on the gender revolution led by Yummy.