Break | Cecilia Martin & The Farm
circus, review, physical theatre Catherine Lawrence circus, review, physical theatre Catherine Lawrence

Break | Cecilia Martin & The Farm

Highlights were the directness and vulnerability with which the story was told, and the interweaving of acrobatic skills. We hear insights into the close relationship between skilled performers—including the sheer joy of ‘getting it right,’ as well as the pain and pressure of training, travel, and surgeries, and we see great use of the spinning plates, walking on broken china, incredible athleticism (and skipping), and quite amazing trapeze and aerial acrobatics.

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Glass Child | The Farm & Kayah and Maitreyah Guenther
review, physical theatre Georgia McKenzie review, physical theatre Georgia McKenzie

Glass Child | The Farm & Kayah and Maitreyah Guenther

In the past two days, I have found myself continuously contemplating every aspect of the performance. The show had so many subtle details that made it truly special. As someone who enjoys revisiting past reviews to gauge a show’s lasting impact and reflect on any evolving opinions, I can confidently say that Glass Child has already left an indelible mark on me. It is a production that I will undoubtedly continue to think about for months to come.

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Hold Me Closer Tony Danza | The Farm
review, dance, physical theatre, music Kaylee Vera review, dance, physical theatre, music Kaylee Vera

Hold Me Closer Tony Danza | The Farm

Hold Me Closer Tony Danza took me by surprise. I expected a show that was much more focused on pop culture references and punchlines. These aspects were undoubtedly present, but the show was more impactful and thoughtful overall. The common ground of pop culture and music was used to bring the audience together and prime us for more complex topics. While watching, I felt simultaneously unsure of what was coming next and excited to see where the performers would take us. This show will be stuck in my head for a long time, alongside the slightly altered chorus of Elton John's Tiny Dancer.

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This Ain't No Pussy Show | Kate Harman
dance, review Nadia Jade dance, review Nadia Jade

This Ain't No Pussy Show | Kate Harman

Over the space of an hour we explore tropes of toxic masculinity, are presented with provocations on positive masculinity, look at the tangle of ethical motherhood, push it up against the dark heart of a lifetime wrestling with misogyny, and dance around themes of friendship, aging, empowerment, growth, and discovery. A meaty morsel, to be sure.

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Glass Child | The Farm
dance, review Nadia Jade dance, review Nadia Jade

Glass Child | The Farm

This is hands down the best piece of storytelling I’ve seen this year. This is a genuine challenge to any other productions to top it for sheer vibrating power. From the first scene, where Maitreyah’s voice cracks just ever so slightly, I know I am witness to something extraordinary. What follows is a whirlwind of emotions, for each of them, and most definitely for me.

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Re:membering | UMWELTCollective
dance, review Nadia Jade dance, review Nadia Jade

Re:membering | UMWELTCollective

This is deeply personal work. This is about these two sisters; not all sisters, but these ones in particular. The tides of the relationship are marked out, sometimes it is abundantly clear to us the vicissitudes, other-times we are left to wonder.

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