Sometimes it felt like the two acted as friends, or sometimes lovers, in other scenes I felt as if they were reflections of self and shadow self., hidden desires pushing up through layers of societal expectations, repressions and social niceties. The chorus swung in and out and around the two as they journeyed through different trials of purity and expression, emancipation and repression.
Adam James: "John Farnham released a record called ‘The Great Australian Songbook’ in the early 2000’s and I've enhanced the idea and coloured it in. There are so many great First Nations singers and songwriters in Australia, this was my chance to take their voices to the nation."
From courtrooms to saloons, outback towns to the corridors of power, Queensland Theatre’s captivating 2025 program was enthusiastically welcomed with spontaneous, non-stop applause in celebration of reigniting our love for the power of theatre.
Spring is in the air and what does that mean for Magandjin / Meeanjin? It’s time for BrisFest! Running from 30 August to 21 September this year, we’re once again spoilt for choice with some epic offerings of theatre, circus, musicals, dance, cabaret, live music, installations and so much more. This is way too much goodness in the program for this year’s festival, so who better to turn to than the writers of NEHIB to let you know what you simply must see at BrisFest this year.
“Theatre can only survive if we provide opportunities for the marginalised to be seen and heard. It's essential to develop platforms where artists can push boundaries and build careers, and cater to audiences who normally don’t get to see themselves represented and feel included … If we continue to invest in these spaces of access and inclusion, we will cultivate more artists and develop broader audiences, proving that theatre is for all. “ Co-Director and Producer, Egan Sun-Bin.
Anywhere Festival is always a highlight of my personal year. The opportunity to visit unusual nooks and crannies across the city, and to see the imaginative ways in which local and visiting creatives transform each space. Sadly, there is just the final weekend to go, so here are my top tips of what to see before the Festival ends this year.
The show is about a world we might live in and what a Disney can represent. It certainly plays with the figure of Walt, and is interested in his personality, history, and legacy… Disney’s a fascinating person; letting him loose on a future world post-cryonic unfreezing is going to dredge up all sorts of chaos from many places.
The Affordable Art Fair has arrived in Brisbane / Meanjin for the first time, showcasing artwork from over 40 galleries under one roof. Upon entering the fair the scale of the event is evident. I can confidently say that I have never seen so many different artists showcased commercially in one place.
This is an excellent show par none that can be enjoyed by both arts and footy lovers. By including the vessels of sportsmanship, authenticity, integrity and an outstanding dialogue, this quality production aptly conveys the community spirit, thrilling energy and intense physicality of this much loved and popular sport. The talented ensemble tackles the deep themes that writer Nathan Maynard covers in this play with humour, energy and a whole lot of heart particularly when the top dogs are pitted against the underdogs.
A while back I wrote an op-ed on how to prepare a grant and work with a writer on crafting a decent application. Now let’s talk about getting the first successful grant and what to do and what NOT to do. It feels like winning the lotto 100%, but stuff has just gotten real and you’re probably totally wigging out now.
The QRAA exhibitions I have seen are a strong reminder that remote and regional communities regularly produce outstanding artists. The judges, Jonathan McBurnie and Fiona Foley have, through their selection, highlighted that Queensland as a whole is home to stunning contemporary art practice.
I witnessed empowering moments of redemption when the ensemble flipped the script in two distinct ways. In an act of subversion, the lampshade was treated as a microphone and the closet morphed into a stage the women could stand on top of and verbalise their sentiments.
The Next 14 Seconds was, in essence, a call to recognise and embrace the humanity in friends and strangers alike in a matter of seconds. Its attempt to answer it in its uniquely unpredictable way was laudable.
Sometimes it felt like the two acted as friends, or sometimes lovers, in other scenes I felt as if they were reflections of self and shadow self., hidden desires pushing up through layers of societal expectations, repressions and social niceties. The chorus swung in and out and around the two as they journeyed through different trials of purity and expression, emancipation and repression.
In this world of consumerism gone mad, Yoga Play highlights the (laugh out loud) paradox of the practice of yoga between the West (California) and the East (India) using satire to bridge the gap between ludicrous and rational.
If you are not at all familiar with Round the Twist, just go along for the magical ride--particularly if you are looking for a pantomime alternative. Round the Twist The Musical will entertain your age 7-11 grandkids with plenty of fart and smelly feet jokes…and you can all delight in the guy getting his girl, and cheer when the bullies/baddies are defeated.
They entered in brightly coloured heat mapped leotards and perfectly groomed and shiny Gattaca-esque heads. They moved beautifully, fluidly in one scene, in tandem for a note, again an element of robotic science fiction. The wearing of wigs as a taking on and putting off of the Role Of Woman.
Set in a post-apocalyptic world where zombies rule and the only form of communication for the remaining survivors is via TikTok, Eat Slay Zombie is a highly entertaining romp led by three contagiously charismatic actors.
Shared cigarettes, discussions of what medication they’re currently taking, and manic depressive episodes define the relationship, and Rattle and Robinson’s rapport throughout the work keeps the duo both believable and elevated in a way that astounded me from a purely technical level.
The Stallion Squad are a singing, dancing, stripping band of kings on a regional tour from Innisfail to Goondiwindi. Feeling stuck in groundhog day doing their usual sexy choreography they decide to get serious and add some Shakespeare to their show. Absolute hilarity, a touch of romance and unabashed queerness ensues.
It explored real-life struggles, and themes, such as hardship, stress, and the emotional toll of moving away from friends. Lines such as “Why is everyone leaving”, “all I want is to scream” deeply resonated with me, highlighting the crucial role of community support and friendship during challenging moments in life.
WHAT’S ON IN BRISBANE
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