A while back I wrote an op-ed on how to prepare a grant and work with a writer on crafting a decent application. Now let’s talk about getting the first successful grant and what to do and what NOT to do. It feels like winning the lotto 100%, but stuff has just gotten real and you’re probably totally wigging out now.
A while back I wrote an op-ed on how to prepare a grant and work with a writer on crafting a decent application. Now let’s talk about getting the first successful grant and what to do and what NOT to do. It feels like winning the lotto 100%, but stuff has just gotten real and you’re probably totally wigging out now.
The QRAA exhibitions I have seen are a strong reminder that remote and regional communities regularly produce outstanding artists. The judges, Jonathan McBurnie and Fiona Foley have, through their selection, highlighted that Queensland as a whole is home to stunning contemporary art practice.
Looking at it this way, the most important aspects therefore weren’t just the pieces we programmed, or the particular genres involved, but how, and why, we do what we do. This realisation has given us so many more possibilities artistically, but also resulted in us curating using our values of social equity, non-hierarchical artistic collaboration, and celebrating community first.
Ukraine has an unbelievably rich and complex history, some of it horrific and heartbreaking, some fun and heartwarming. Immersive theatre provides audiences with an opportunity to choose which scenes to see, what knowledge to gain and what emotions to experience.
“I wanted music to be enjoyable and funny instead of stressful and serious. Eventually, I found myself asking, why are we even doing this? Fortunately, I had some really, really fun colleagues.”
The Observatory Theatre team launched their 2024 Season at Yeerongpilly’s Studio1. Lachlan Driscoll (Creative Producer), Lucy Rayner-Toy (Associate Producer) and colleagues certainly have much to celebrate. In developing what Driscoll describes as ‘big, bold, ambitious theatre that responds to today,’ the 2024 Season focuses on supporting and developing new works, centred on their successful Telescope new writing program.
MJ O’Neill is writing about music again, in a new monthly series. For the first of the ‘Noisy <Gender> Punk Energy’ interviews, meet Helen Svoboda, one of the most dizzyingly accomplished and prolific musicians in the country.
Call it what you will the ebb and pull of the Sunshine State has its young people running away, and then running back to Brisbane, in a perpetual state of disenchantment and ocker pride. These themes are explored in the production, All My Friends Are Returning to Brisbane.
Often as artists, we hear ‘No’ so often that we start bending and breaking our artistic practice to fit someone else’s limits. Our Young and Emerging Artists present unique and exciting works that haven’t been limited by anyones ‘No’.
Our favourite medium is circus so it was important to tackle this subject and how we tell these kind of stories through this modality. It will be really interesting to see how the audience responds a series of images, a series of tipping points.
The highlight of the day was Franz Liszt’s Rhapsodie espagnole S 254. This suggestive traditional Spanish music opened with a cadenza, included rapid chords and octaves, that was spiced with the feeling of improvisation. Tsang dazzled me with his exquisite piano techniques and I was impressed by the way he swept those 88 keys so blazingly.
The walk down memory lane ends, and we are ushered out in the foyer for the after party. There’s a bounty of cupcakes (I told you there would be cake didn’t I?) and HipHopHoe is waiting for us with an epic and eclectic set that has the crowd dancing their socks off for the last hour and a half of the night.
The three acrobats are the stars of this exceptional show that features incredible hand balance by Daniel O’Brien, a fluid and moving straps solo (and acrobatic ‘dance’) by Kimberley Rossi, and quite amazing strength work by Zac Stephens. In just over 60 minutes, the performers demonstrated their mastery of circus arts to create moments of beauty, strength, power, fear, tenderness, pain, humour, wistfulness, joy, and connection.
PIP Theatre’s Banging Denmark advertises itself as a fun night of solid entertainment and it delivers on this in spades. It’s real, raunchy, and wriggles its feminism in underneath the laughs in a way that keeps it squarely in the land of entertainment rather than delivering a gender studies lecture.
Under the insightful guidance of Director Lee Lewis, Wright and Jamieson’s adaptation of this Victorian Gothic theatre work has been elevated to new heights where doubt, misinformation and deception takes centre stage.
Hill does an excellent job threading the metaphor of the team-mates being Wolves through use of physical theatre and individual movement sequences, creating an animalistic quality to their characters.
The manipulation of the footage felt both hallucinogenic and as if the data was being corrupted. With the electronic tones accompanying the visuals, the experience felt like a computer analysing footage, perhaps trying to understand human behaviour.
After an air-raid siren sounds, we were whisked away to the inner rooms, corridors, and outdoor deck of PIP Theatre, where the “choose-your-own-adventure” aspect of The Art of Courage really came into effect.
To answer the question of ‘Why this play?’ and ‘Why now?’. Based on Dekker’s direction, I’d argue that it was to remind us all that just because we may have the opportunity or resources to change someone’s lives who we believe is lesser than us, it doesn’t mean that we should. I’ll let you simmer on that…
When The Rain Stops Falling will bring you an experience of sorrow, love, life and death in the same heartbeat. This is a beautifully written and wonderfully performed theatre piece, you do not want to miss it.
WHAT’S ON IN BRISBANE
Check out the calendar and see what’s happening in the river city. The No.1 best source of eclectic arts events.
SUBSCRIBE TO OUR EXLUSIVE NEWSLETTER
For just $2/month and get an exclusive list of our writer’s recommendations of what to see and where to go PLUS you’re contribution makes sure that WRITERS GET PAID. If you think nothing ever happens in Brisbane