SHELTER | The Drawer Productions
SHELTER is a powerful and moving performance. I’d encourage anyone interested in immersive theatre to check it out if it gets the opportunity to run again. There’s a lot more to it than what I have touched on, but a big part of the experience is going in not knowing much and watching the mystery unfold, interacting with the bunker and following the Chapman family around as their complex relationships with each other are played out for us in a close and personal way.
Cluedo! The New Suspects | Brisbane Immersive Ensemble
Across the venue, blackmail, flirtations, arguments, and even a broom closet triste were playing out between the six key figures. While a number of confrontations played out in front of large gatherings of the audiences, many punters had taken to chasing after the characters who took their interest to try to catch a sliver of gossip or accusation to piece together the story. Gasps, cheers and accusations from the punters fill the space as each new twist and turn unfolded.
Intoxication | Before Shot
At its core, the show is about love and relationships and the anxiety, self-doubt, self-loathing, and questions of worth that can come along with it. Christopher addressed audience members as if they were people in his life, people he admired, desired, despised. The audience became participants, watching and being watched in the circle.
Sex, Lies & Betrayal – Memoirs of a Hollywood Star | JTM Productions
As we enter the room, we are soon introduced to Miss Nightingale, played by the talented Karla Hillam. Immediately I was captivated and engaged, with the intimacy of the setting it made you feel at times like a fly on the wall of something real. Karla brought the confidence required to play a charismatic Hollywood Legend, along with the elegance of a Grace Kelly, and the depth to show the struggle, pain, and haunting memories.
Sludge Bank | Chance Collective
It’s favourite kind of critique of the neo-corporate capitalist system. One that gives you a reminder to keep an eye on your consumer spending power and keep your ego in check, cause yes, if you are not part of the solution, you are most definitely part of the problem. Yes it’s kind of like your eccentric aunt is scolding you but with added songs and belly laughs and stupid jokes and weird puppets and strange voiceovers and homemade props and hilarious antics and cool hair. Ah art, it’s the best way to grow as a person.
The Realistic Joneses | Ad Astra
The Joneses truly are realistic and aren’t afraid to speak their minds about subjects that society deems taboo or overshare intimate details. The tension this creates makes us laugh, but it also makes us reflect on what society governs as a respectable conversation and whether we should repress or embrace our awkward reactions.
Conviction | The Hive Collective
Beginning in darkness, four figures barely visible on stage, the tension is palpable. Together they deliver the one punchy monologue, setting the scene inside the wandering and turbulent creative mind of our protagonist, a self-critical independent writer. When the lights switch on, the characters launch into action in the writer’s latest play and we watch the action unfold seemingly as it is being written, edited, unwritten, and changed.
The Revolutionists | The Curators
The play is a comedy set in Paris during the late-1700s “reign of terror” … At first glance this all seems historical and far-away, but we are brought to the here and now through a comedic exploration of real and present themes: colonial oppression, women’s rights, and the intersectional beneficiaries (and lack thereof) of revolutionary movements.
The Revolutionists | The Curators
The Revolutionists is a hefty two-acter, coming in at over two hours, and Gunderson’s text is dense and full of witty one-liners and dialogue that hit you in the feels. To do the script justice, it requires a cast that can balance an impeccable comic timing with pathos and poignancy, and who are able to build the tension of the looming threat of Madame La Guillotine. All four members of the class meet the high bar set by Gunderson with ease, to the point that I don’t think the smile left my face for most of the first act.
Elektra/Orestes | The Hive Collective
To me, Elektra/Orestes highlighted complex family relations, and in particular fraught mother-daughter relations. After all, Sophocles’ Electra inspired Carl Jung’s Electra complex, a psychoanalytical term to describe a girl’s attachment to the mother marked by a sense of competition over the father’s love and attention. The play also made me reflect on the dangers of self-righteousness and the malaise caused by the inability to put oneself in the shoes of others.
Cattle | Kate Coates and Cale Bain
As per many improv shows, Kate and Cale set up their scenarios with prompts from an audience member. What sets them apart is that some of the best laughs of the set came from in depth discussions with an audience member that followed the prompt. The duo’s natural responses to people’s (over) sharing that came from a place genuine surprise, curiosity and the right amount of gentle teasing was a joy to watch. When they received a response too sincere and moving even for them, they could only respond with, “We can’t mock that!”
Handle With Care | Virag Dombay, Gabby Fitzgerald, Zac Lawrence & Lachlan Driscoll
The play moves around the relationships of the two men in our protagonist Abbie’s life, but at its core the bigger story is that of female friendship, and the damage done when that falls apart. It’s only been in the last few years that the value of female friendship is beginning to be recognised and written about, the true unconditional nature of the love that is shared, that pushes one or the other to step far outside their comfort zone, or to see a little burning kernel of a wildheart hidden in a studious and forlorn wallflower.
Wer ya from? | Big Fork Theatre Improv In Colour
I didn’t know what was gonna happen, I haven’t been to anything like this before, it was fun, it was loose, it was cool. I didn’t feel weird once all night cause some bro made some sexist twat comedy shit comment. I laughed a lot and I felt right at home. Good vibes would recommend.
This Wide Night by Chloe Moss | A Moveable Theatre
With the play only having two characters, and little in set design, This Wide Night relies heavily on the dialogue and body language of the performers. Luckily, the play is in good hands, as Sharde Anne and Julia Johnson are tremendous with their performances and their wide acting range, going from humour to sadness to anger and everything in between. The dialogue sounded natural and the portrayal of Marie and Lorraine are very raw and brutally honest.
Untitled Relationship Experiment | Big Fork Theatre
One part that stuck with me in particular was Samantha’s character’s strained relationship with her mother who refused to see her daughter’s committed lesbian relationship as anything more than a close friendship, even after marriage. It brought to light the combination of humour and pain found in the common queer experience of dealing with family members who are for the most part loving and yet wilfully ignorant or unaccepting of who they are
The Secret Super Hero Galaxy-Travelling Family Band Show & Jam | Big Fork Theatre
I interpreted this scene as a powerful statement about what art at its core is really about; not striving for an illusive ideal of perfection but rather, supporting each other through the process of making something together, going with the flow, embracing imperfection, and having plenty of fun along the way.
Cool Story Bro, Culprits & Interstate Mates | Brisbane Improv Festival
Scenes developed at a rapid pace and build and strange, weird and wonderful directions. They go forward and back in time, explore the most obscure ideas. The improvisers jumped in whenever they got an idea and everyone was given a chance to play and lead. Jasmine’s love of peanut butter and disappointment in how small the containers are at the supermarket, unfolds as a scene of a couple’s illegal obsession with tiny anthropomorphic foods and Aarons tale of travelling in a tiny sleeper train in winter develops into a son taking his parents to school for a career day, who just happen to be stuck living in a fridge.
Those meagre descripions are in no way doing justice to the chaotic hilarity that unfurled before us.
Improvised Dr Who | D4WH
We enter the theatre and seats are filled. The lights switch off, the Spotify play list cuts, the mics not on, we laugh, the audience laughs. We hear “We're having a tech issue, so talk among yourselves”. So, what do a couple of women do seated behind me? Sing the Dr Who theme song, so of course, I join in as do others with a rendition no fan would think was worthy – out of tune, with a couple of dog howls - but what the heck, we were ready to jump in the Tardis to travel to an alternative dimension full of aliens, Daleks, Cybermen and save the world cliches.
The Bull, The Moon & the Coronet of Stars by Van Badham | Directed By Heidi Manché
I am a mere handful of years younger than our playwright and I recognised the tropes enough to know them for what they were – the blue summer dress, the man-hungry vixen, the affair that misfires when a younger woman throws herself at an attractive married man, his classic retreat to the wife, the larrikin who successfully woos the broken-hearted self-imposed-abstinent woman (he “knows about women”). These are the stories that filled a hundred novels when I was a voraciously-read teen and I think I liked them better then than I do now.
Women’s Show and Queer Show | Big Fork Theatre
As it went on, the intricate tale only tightened and strengthened, so much so that if someone had told me this story was carefully crafted and rehearsed, I would have believed them. I think that’s a great testament to the actors’ skill.