Whiplash | Scott Wings
theatre, performance art, review Ads J theatre, performance art, review Ads J

Whiplash | Scott Wings

Whiplash starts as a seemingly straightforward journey into how the disparate parts of Scott’s body battle for control on an awkward first date. Performing on a bare stage with just a stool, a music player and a whole lot of charm, Scott utilises every inch of the space and contorts his body into all manner of ways to take us with him on his hero's journey in the search of his heart.

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What I’m Here For | Elbow Room
performance art, theatre, review Virag Dombay performance art, theatre, review Virag Dombay

What I’m Here For | Elbow Room

It was enjoyable watching the actors interact with individuals walking by but it was just as intriguing the passers-by try to piece together what was happening in front of them and there was a group of about twenty individuals staring at two or more particular people with headsets on. Some stopped to take photos, others tried to listen in but some just walked by...

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Crunch Time | Counterpilot
theatre, performance art, review MJ O'Neill theatre, performance art, review MJ O'Neill

Crunch Time | Counterpilot

There’s an explicit attempt to link the democratic processes at play in the work’s conception with debates and developments happening around global politics. Sibthorpe’s notes reference Brexit and Trump. There’s a development within the work that explicitly plays with the idea of leadership spills. If there’s a moment that elevates CrunchTime above a good dinner party, it’s that one.

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