CAKE | IMRSE
review, theatre Georgia McKenzie review, theatre Georgia McKenzie

CAKE | IMRSE

This extravagant new work by IMRSE is a feast for the senses and an unapologetic exploration of cancel culture and the concept of an invariable history writing itself. Expect no less than extreme over-dramatics–in the best way, I promise! CAKE is hilarious, sexy, and high energy, offering a deeply satisfying way to spend a night out. 

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Slow Boat | Anna Yen
review, theatre, physical theatre Nadia Jade review, theatre, physical theatre Nadia Jade

Slow Boat | Anna Yen

There is something about relating to characters on the stage that humanises stories so very much. We can read an article about the relentless inhumanity of the Australian government and the colonial importation of cheap Asian labour, but a depiction of a bloody and brutal desert scene and the rise and fall of pickaxes worms its way into your head in a much more effective way.

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yana marumba (Walk Good) |Wynnum Fringe Opening Ceremony
festival, review Jaydem Martin festival, review Jaydem Martin

yana marumba (Walk Good) |Wynnum Fringe Opening Ceremony

We made our way onto the Wynnum Boardwalk where we were introduced to Uncle Josh, a Nunagal man and a traditional custodian on Qaundamooka country. We were told stories of the land and the importance of keeping those stories alive, and not to let them fade away as well as pay our respects to our ancestors: Indigenous or non-indigenous, everyone’s ancestors that has moved on from this world.

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Stories of trepidation, trouble, and triumph of women in the tent cities of the 18th century goldfields
interview, article Ads J interview, article Ads J

Stories of trepidation, trouble, and triumph of women in the tent cities of the 18th century goldfields

Golden Dreams sends audiences back to 1853 Melbourne to witness the stories of trepidation, trouble, and triumph that the women who braved the tent cities and goldfields faced. A fictional story based on true events, and rumours, Golden Dreams allows audiences to experience life through a lens that is often overlooked. This performance combines traditional theatrical conventions with dream sequences and physical theatre to explore the characters innermost fears and desires.

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The Revolutionists | The Curators
theatre, review Aaron Dora theatre, review Aaron Dora

The Revolutionists | The Curators

The play is a comedy set in Paris during the late-1700s “reign of terror” … At first glance this all seems historical and far-away, but we are brought to the here and now through a comedic exploration of real and present themes: colonial oppression, women’s rights, and the intersectional beneficiaries (and lack thereof) of revolutionary movements.

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