Corpus Null | AXIS
physical theatre, dance, review Lauren Hale physical theatre, dance, review Lauren Hale

Corpus Null | AXIS

Corpus Null opened strong. A lone walker approached the audience, slow, barely moving at all. One by one, bodies emerged, running in figure eights, crashing into the walker’s line of sight, as if hit by an electric shock over and over again. It conjured up images of the daily grind, being lost among the chaos of the unrelenting rat race. I was distressed and captivated.

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Corpus Null explores the positioning of the body within capitalism as both its function and its evasion.
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Corpus Null explores the positioning of the body within capitalism as both its function and its evasion.

Corpus Null is a performance work that inhabits the intensity between the desiring and desired. Inspired by Deleuze and Guattari’s concept Body Without Organs, this work of butoh dance theatre reflects on the positioning of the body within capitalism as both its function and its evasion. This tension is mirrored in cycles of symbiotic genesis and extinction and attempts to exist between becoming and undoing, in the void of unattainable desire.

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Pollinator, December 2019
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Pollinator, December 2019

Be warned: this is no ordinary arts event. Without an audience, a ticketing system or a public Facebook event, Pollinator takes a gorgeous leap away from commercialisation and product-based creative work. Instead, this is a space created by artists, for artists, with the express purpose to experiment, play and explore their own craft.

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The Tempest | Zen Zen Zo
theatre, review Virag Dombay theatre, review Virag Dombay

The Tempest | Zen Zen Zo

The Tempest is a play in which none of the narratives have much substance. Instead, the focus is on the complexities of being human and the consequences of our actions. On the surface, the play appears like a world of magic, love and loss, but Bradley asks us to look beneath the surface.

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