Lamina | VOiiiD Collective
They entered in brightly coloured heat mapped leotards and perfectly groomed and shiny Gattaca-esque heads. They moved beautifully, fluidly in one scene, in tandem for a note, again an element of robotic science fiction. The wearing of wigs as a taking on and putting off of the Role Of Woman.
Winona | Ebony Rattle
Shared cigarettes, discussions of what medication they’re currently taking, and manic depressive episodes define the relationship, and Rattle and Robinson’s rapport throughout the work keeps the duo both believable and elevated in a way that astounded me from a purely technical level.
Dragspeare: Drag Kings do Shakespeare
The Stallion Squad are a singing, dancing, stripping band of kings on a regional tour from Innisfail to Goondiwindi. Feeling stuck in groundhog day doing their usual sexy choreography they decide to get serious and add some Shakespeare to their show. Absolute hilarity, a touch of romance and unabashed queerness ensues.
AI May - Embodi Theatre
AI May is a play that explores grief, and the ways in which we process it, or the ways in which we do not. It is a slice of tomorrow-styled science fiction, or as it totes itself, futuristic realism, wherein potential technologies of artificial technology have become commonplace in the not-too-distant future, replacing social services and healthcare and other daily essentials.
Fun Home | PIP Theatre
Even though lesbian representation isn’t as rare or poor as it was 10 years ago, it still makes me feel warm and fuzzy when I see it. So of course one of my favourite songs was ‘Changing My Major’ where College Alison sings about her new girlfriend after coming out and sleeping with her for the first time. In this piece Enright’s performance perfectly captured the awkward joy of ‘leaping out of the closet’.
Banging Denmark by Van Badham | PIP Theatre
PIP Theatre’s Banging Denmark advertises itself as a fun night of solid entertainment and it delivers on this in spades. It’s real, raunchy, and wriggles its feminism in underneath the laughs in a way that keeps it squarely in the land of entertainment rather than delivering a gender studies lecture.
Art of Courage | Sophia Hodych & PIP Theatre
After an air-raid siren sounds, we were whisked away to the inner rooms, corridors, and outdoor deck of PIP Theatre, where the “choose-your-own-adventure” aspect of The Art of Courage really came into effect.
“Join us for an immersive celebration of the indomitable human spirit.” Sophia Hodych on ‘Art of Courage'.
Ukraine has an unbelievably rich and complex history, some of it horrific and heartbreaking, some fun and heartwarming. Immersive theatre provides audiences with an opportunity to choose which scenes to see, what knowledge to gain and what emotions to experience.
The Bed Party | Sophia Davidson Gluyas
Gluyas seamlessly integrates the commentary into everyday conversation between five friends, creating sharp, witty and tongue and cheek dialogue. As a result, I can honestly say that it’s the sharpest writing I’ve seen on the PIP stage.
The Father | PIP Theatre
Tony Nixon’s on stage persona as Andre is flawless - he realistically embodies the role of a person with dementia who is convincing in his struggles to understand the rapid decline of his mind and wellbeing. His physical stance, range of facial expressions, rare lucent moments versus ever increasing memory loss coupled with uncontrollable nervous tics signify the transformational changes and damage of dementia.
Moon With A View | Moth Light Theatre
Moon with a View is a whimsical and wacky mixture that is often Monty Pythonesque—and occasionally reminiscent of Michael Bentine’s Potty Time—showcasing Calum Johnston’s acting, improv, balloon-manipulation, and comedic talents.
The Boys | Pip Theatre
One of the most poignant parts of Graham’s script is that whilst we still see women being sexually and verbally abused, most of the violence is supressed and hidden between the lines of the text. It is up to us to draw those connections and to use our imaginations, for a lack of a better term. Fight director Jason McKell and intimacy director Michelle Miall both did a fantastic job in their respective roles, making these glimpses of violence in its various forms all the more realistic and confronting.
The Pillowman | Good Time Theatrics
Directors Hannah Boyd (who also played Arial) and Sophie Wickes (who played Katurian) chose to adapt this work with an all-female cast; having the two police officers dressed in bright pink, almost cyber-punk like jumpsuits and gender-swapping the storyteller Katurian and their brother Michal. As a director myself, I thought this was an intriguing concept that had a lot of potential. Unfortunately, the inconsistency of direction resulted in this casting choice falling flat and undercutting the power of this award-winning text.
The Ugly One | AllEntertainment
This performance is lively and light-hearted, not skirting away from its darker undertones but embracing them with a jaunty devil-may-care attitude. It’s an absurd play, with the supporting actors playing multiple characters each with the same name; which had me tumbling for clarity on a couple moments. It is relentless; the scenes blur quickly into, across, under and over each other, and the actors did a fantastic job of taking us along for a ride with them.