Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre
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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre

Play wright Jasmine Lee Jones explores a range of issues in this creation. Issues we face in this society as women of colour with working through the trickiness of white-privilege, attraction and body-shaming, the male gaze, sexual assault, sexuality, colourism and the deep dive discord of social media. It reminds us all the social media can be a dark space and it’s easy to lose yourself in it. And also, how much our privacy is abolished in our absent minded engagement in it. How many times have you felt the pang of reaction / non-reaction to a post you share? We all do it. And it’s crazy!

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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre
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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre

Under the direction of Shari Sebbens, the way the actors express their inner rhythm was so captivating. I read along to witty and vibrant UK accents interpreting tweets layered with gifs, emojis, memes and internet slang - the pair are so on point they hit each word on beat like a follower hits the love button. You like it, but then it’s not quite enough and you have to give it ‘another one, another one, another one.’

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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre
theatre, review Katie Rasch theatre, review Katie Rasch

Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre

In a lot of ways I see the internet as a fun ball and chain attached to my ankle. There are so many more ways to connect, but also so many more ways to have expectations placed on you, and whether you love it or hate it, there feels like there's a kind of an inevitability to it. 7 Methods captures that feeling so well. Even when the actors devolve into the frankly stupid overuse of memes and abbreviations in their real-life speech, it still felt right to me. It felt authentic. That sense of authenticity contributed to a near constant stream of laughter from me and the rest of the audience.

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