The Wolves | Ad Astra
Hill does an excellent job threading the metaphor of the team-mates being Wolves through use of physical theatre and individual movement sequences, creating an animalistic quality to their characters.
Proof | Ad Astra
The actors really owned the sister relationship and there were many beautiful moments of connection in the play. A highlight is where Claire and Catherine are talking about a dress, something seemingly so small but there is a pause where I could feel the entire weight of their relationship and their grief for their father. In such a small moment you could see these two sisters really connect and be completely open and vulnerable with each other without having to say a word.
A Life in Theatre | Ad Astra
An absurd satire and love letter to theatre, director Pierce Gordon brought the text to life with such nuance; acknowledging the slice of the theatre industry it represents and finding parallels to contemporary theatre practices. From the actor’s relationship to the space, the dynamic role of the sets and the combination of naturalistic and comedic acting styles, Gordon expertly captured Mamet’s chaotic world.
"It is up to the individual to draw from their own wellspring of self-belief." Overcoming writers block with Ad Astra
We chose this play for several reasons. Firstly, the overarching theme of a playwright who is struggling with writers’ block is a metaphor for anyone who has struggled with the creative process. No matter what drives you as a human being, we all have a creative muscle and at times, it needs massaging!