Forgery | ADC

Australasian Dance Collective presents Forgery, where a complex series of algorithms and cutting edge technology dictate each performance - a show that's directed entirely by computer and is different every single performance, from the lighting, outfits, music and stage direction. On arrival, I am very curious to observe how they curated and created such a one of a kind offering.

As the show begins the six dancers take to their starting positions and the soft shadows of the lighting illuminate the dancers. A voice guiding direction echoes through the theatre and I soon realise this is the computer program dictating the movements of the entire group. The uncertain programming of the computer changes directions every 30 seconds or so as the instructions and time appear projected on the wall behind the dancers.

This image + cover image: David Kelly

All of the instructions are random, which makes each transition hilarious but also breathtaking. My eyes dart from each side of the stage as they transition and morphe into many different shapes and movements. One moment they are a human train, moving along the stage, the next they are pretending their forehead is their jaw, yes you are reading correctly! From one odd movement to the next, the format of this performance transmutes and shifts into unknown territory.

The most impactful part of the night is the concept behind the production and how perfectly the dancers flow with the unknown. Special mentions for Tyrel Dulvarie who showcases spectacular technique with an infectious aura of light, as well as Josephine Weise who through her emotions and raw movement captures my attention.

Image: David Kelly

As the computer puts forth the instruction, it's up to the dancers to emulate that in their own style. That in itself displayed creative individuality from the simulation computer. Throughout the performance, there are pockets of wonder, connection and possibility. This use of experimental redesigning of what dance is, shows the potential that the future holds and what is being done right now to get there. It embodies the human desire for evolution and transformation, while using technology as the force behind it. This is a wonderful way to ignite conversation about the state of the world and how technology continues to merge with us.

As the night goes on, it takes a deep dive into the abyss. I am challenged by the flow of the performance, as it becomes repetitive and overwhelming. What makes it repetitive is the loop of instructions that seemed never ending. Remembering that this is all computer generated, I understand why it is the way it is, but at the same time feel like the storytelling can be stronger and more clear. With a few more moments of sound, song and change in direction this has potential to be a game changer! Within doing so this will add depth to the atmosphere and draw us in more, as I feel less curious as the show goes on.

Forgery is an unique experience responding to the reality that computers analyse billions of humans and communications a day as a means to predict, influence and replicate human behaviour. With this interweaving of expression and energy, it is an insight and a physical vision of what life is and could be in the age of technology.

This show is unique, unusual and overall incredibly well curated.

Saskia Sassen

Saskia Sassen is a Pasifika, Mona Nui A Kiwa Australian Born Writer, Story Teller and Matakite Ruahine. Currently working on Quandamooka Country, she heals and activates sacred and safe space in all realms. Her work focuses on liberation and decolonization of all pacific nations. Everything she does centers around the veneration of Atua Tupuna & the preservation of our sacred matauranga and whenua.

https://www.instagram.com/daughterofpapa/
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